Showing posts with label Sirius. Show all posts
Showing posts with label Sirius. Show all posts

Tuesday, October 22, 2013

See Linda Bloodworth-Thomason's "Bridegroom"

This Sunday, October 27 at 10 PM ET, Oprah Winfrey’s OWN network will present the television premiere of a powerful new documentary, Bridegroom.  It’s the story of an impossibly handsome young couple in Los Angeles who were also perfectly, almost impossibly so, in love.  Tom Bridegroom was an aspiring actor and talented musician who had relocated from rural Indiana; Shane Bitney Crone a sometime actor and filmmaker from rural Montana.  The ambitious duo traveled the world together, documenting their adventures in video series they posted to the web.  They had big plans.

But their time together was cut tragically short in 2011 when at age 29, Tom was killed in a freak accident, falling four stories off the roof of a friend’s apartment building.  The film arising from the couple’s devastating story – of pain and loss, of hurt and forgiveness, of homophobia and yet also family bonding – is sure to make you cry throughout.  (And it doesn’t hurt that Bridegroom was assembled largely from Tom and Shane’s own homemade footage by executive producer Linda Bloodworth-Thomason, of Designing Women fame, who is certainly a pro at evoking laughs and tears.)  In their attempt to whitewash Tom’s entire post-college life, and thus hopefully erase the sin of his gayness, the Bridegroom family banned Shane and in fact all of the couple’s Los Angeles friends from attending their son’s Indiana funeral.  The immediate family has had no contact since Tom’s death with either Shane or with the filmmakers who sought their comment.

Bridegroom first screened at the TriBeCa film festival earlier this year, where it won the Best Documentary prize, and also this summer at Outfest, where it also won an award for Outstanding Documentary Feature.  Last week, the film had its Los Angeles premiere.  And the following afternoon, I had the chance to sit down with both Shane and Linda, to talk about the project’s genesis and more importantly, its impact.


Must-Hear TV:   I can’t imagine what your feelings are, seeing this completed film about your life and love.  I know you’re a producer of Bridegroom -- how many times have you seen it so far?

Shane Bitney Crone:  I’ve probably seen it 50 times now.


MHTV:  Does it ever not evoke a visceral response in you?

SBC:  It can be very intense, going from festival to festival with it.  Lately, I’ve just waited outside the theater.  I don’t necessarily sit there the entire time, because it is emotional for me.  Sometimes it’s good for me just to step outside and take a break.


MHTV:  But you know when everyone leaves the theater, they’ll be crying.  And for audiences, in a way, getting to meet you offers them consolation after having cried through the film.  I know that getting to express my feelings to you made me feel better.  But is that hard for you to relive every time?

SBC:  That’s one thing that a lot of people ask me.  “Isn’t it hard to continue telling this story?  Do you think that it’s good for you?”  But meeting people and sharing this story has been healing, and has helped me in so many ways.  There’s so much positive coming from it that it makes it not depressing, and it makes me feel like I’m doing the right thing.  It’s great to have support on my facebook and social networks, to hear from people that way, but meeting people face to face has definitely been one of the best parts of all of this.  I’ve met some incredible people, and heard some amazing stories.


MHTV:  People must want to pour their own stories out to you, people who had either supportive or unsupportive families.  What have been the most amazing stories you’ve heard, where people have said, “This changed my life?”

SBC:  I never realized before that what I’ve gone through has happened to so many people.  I didn’t realize thousands of couples have gone through horrible experiences.  So for me, it wasn’t until after I posted the YouTube video [called "It Could Happen To You," which sparked Bloodworth-Thomason’s interest in making a film, and a kickstarter campaign to finance it] that I realized that.  So in a way, as much as this is my story, or my film or Linda’s film, it’s really not.  It’s the people’s film, because it represents so many.  I’ve heard from teenagers who said that the story has prevented them from taking their own lives.  Just to hear things like that, it just makes you feel so grateful that it’s connecting with them on such a deep level.

And then to hear at some festivals from some really big men who come up to me and say, “I’m a straight man.  Someone dragged me here and I didn’t know what to expect.  I had never understood or supported marriage equality – and now I’m sorry.”  When I hear things like that, wow!  It makes me think that this isn’t about me.  It’s so much bigger than me.  And if sharing my story is having that effect, then that’s what I have to do, keep sharing.


MHTV:  I hate to suggest that there was a benefit from Tom’s death, but at least his death has brought about this change, to open people’s eyes and their hearts, and to save lives.  At least his death wasn’t in vain.

Shane Bitney Crone
SBC:  The year after Tom passed away, I spent so much time just trying to make sense of it, and I couldn’t.  When I posted the YouTube video, it was the first moment when I felt that something good came from it.  And then that also helped me to understand better who I am, and helped me stand up for what I believe in.  And to not be so ashamed of being who I am.


MHTV:  It seems like this whole experience has galvanized your family, too, around you.  They were always supportive, but now they really have your back.

SBC:  My mom is an amazing mom.  It’s funny, because on facebook, she posts everything that I’m doing, everything that’s happening.  People text me and say, “You know your mom is so proud,” and that makes me feel so good.  I’m happy that people get to see my family, and see how important it is for families to support each other.  It’s interesting, because my family and Tom’s family, they’re really not that different. 


MHTV:  As we see in the film, they started in the same place, anyway.  Conservative, rural, Republican…

SBC:  Exactly.  It’s such a powerful part of the film, to show how important it is for parents to love their children unconditionally.


MHTV:   What a contrast between them.  One family says “We don’t understand this, but we’re going to try to accept it,” and the other goes backward, stagnating and threatening violence.  What made the families react so differently?

SBC:  Someone asked me this morning, “Why do you think your mom is so accepting and so supportive?” I was trying to come up with the reason, but I don’t necessarily have an answer as to why my family is like that.  I’m just lucky that they are who they are, and that they have the hearts that they do.


MHTV:  Are they religious people, your family?  The film has pictures of both you and Tom and your families in churches growing up.

SBC:  Kind of, but not too much.  We went to church growing up, a Lutheran church.  But we weren’t like Tom’s family, who talked about the Bible every morning at the table.  They’re very religious.  Maybe religion has a lot to do with it, but at the same time, I don’t necessarily know what can cause people to decide to be more accepting.


MHTV:  This film will.  I defy anyone, even if he or she doesn’t stand up for gay marriage, to see a film depicting the death of this beautiful young man, and the end of this loving relationship, and not cry.  You’re not human if you’re not moved by it.

SBC:  But I don’t really know how we’ll reach the people we want to reach.  I have a feeling it’s going to be a situation where people who are struggling with being gay can ask someone to watch the film.  I hope that that way, we can reach the people we need to.


MHTV:  Could the film be a tool for coming out?  Send it to your parents and say, “Watch this, then we’ll talk.”

SBC:  Yes.  Growing up, I wish there had been something like that for me, to help me say, “This is me.  I need you to love me unconditionally.”  Of course there are shows now like Glee and Modern Family, which do help a lot of people.  But at the time, I didn’t really have any shows like that.  It just goes to show how much film and television can influence people.


MHTV:  You and Tom were both really into film and television from the beginning of your relationship.

SBC:  I had convinced my family I’d wanted to move to LA to be an actor, but I quickly realized it was more that I just wanted to get here.  I really just wanted to be in a city where I could be me.  But if growing up I’d said, “I want to move to LA,” they’d ask why – so at least acting was a reason I could give.  But Tom and I did film a lot of our life together, and planned a lot of projects.  We did talk about making a documentary, but I never imagined this would be the documentary we would make.


MHTV:  You and Tom first met Linda Bloodworth-Thomason at a wedding – and as she remembers, you said you were big Designing Women fans, as are lots of gay men.  I know she meets thousands of them, in fact – but you guys made such an impression on Linda that she remembered you years later, when she saw your video on YouTube.  Do you know how that happened?

SBC:  I’m not really sure exactly, other than that we had conversation with Linda about how we so desperately wanted to get married someday when it was legal – but also, when we were ready.  Because there was a short window when we could have gotten married [in California], but we also didn’t want to go down to the courthouse just because everyone was doing it at that moment.  We wanted it to be special and spontaneous like it is for other people.  But to think, though, about meeting Linda that night, and then four years later meeting with her to talk about making a documentary about Tom – it’s kind of surreal.


MHTV:  We know from the film what Tom’s mother did and didn’t do, and his father.  But Tom also had siblings.  Did you have a relationship with any of them?  I’m wondering why they didn’t stand up for you, or for what was right.

SBC:  I think it has a lot to do with being in a small town, and the whole idea that blood is thicker than water, like my mom has always said.  Family is all you really have at the end of the day, and do you want to potentially risk losing your relationship with your parents?  I think maybe that’s not worth the risk sometimes, so I try to be understanding and respectful of that.  And there are [more distant] relatives of Tom’s who are supportive, who support me, and the film, and the relationship.


MHTV:  Does any of them have the name Bridegroom?
Tom Bridegroom
April 22, 1982 - May 7, 2011

SBC:  Yes, there are some Bridegrooms.


MHTV:  It is an unusual name.

SBC:  It is, and honestly I didn’t think about Tom’s last name too much until I met with Linda.  She said, “Shane, do you realize the irony in his last name?!”  And I realized, “You’re right, that’s pretty crazy.”


MHTV:  The way the film saves the double meaning of the word for the reveal in the last shot, it’s like a gut punch.  The irony hits you at that moment.

SBC:  In fact, some people thought that we [the filmmakers] put the name on the gravestone.  No!  It just makes me feel like maybe it was meant to be.


MHTV:  You still haven’t heard from any of the main Bridegroom family, though?

SBC:  I haven’t.  I don’t know if I ever will hear from his parents.  I want to send them the film, and hopefully they’ll watch it.  This could potentially be the opportunity for them to help a lot of people.  They could turn this around.  Even if they just said, “Look, we made some mistakes while struggling and trying to be okay with it.”  Because a lot of people are struggling with that.  People evolve and can change, and I think they could really make a difference if they wanted to.


MHTV:  You're still just 27.  Where do you want to go from here?

SBC:  I’m not sure what happens next.  All I know is I’m trying to be in the moment, and trust that everything will happen the way it’s supposed to.


MHTV:  In terms of career?  Are you a filmmaker?

SBC:  Maybe, if there’s something I’m really passionate about.  This has turned into my full-time job, just sharing this story.  I partnered with some organizations, like GLAAD and HRC.  I might do a speaking tour of campuses, and meet people.  It scares me – I don’t like the idea of public speaking.  But if it can help people, I feel like I can do it.


Bridegroom airs this Sunday, October 27, at 10 PM ET on OWN, and on the same date, will also be available on Netflix.

In addition, Shane Bitney Crone can be heard this Friday, October 25 at 1 PM Eastern / 10 AM Pacific on “The Frank DeCaro Show” on Sirius XM’s OutQ radio.

For more information, go to www.BridegroomMovie.com.

Friday, June 28, 2013

Devious Ana Ortiz

As the substitute host of yesterday's Frank DeCaro Show on Sirius XM OutQ 109 (so that Frank could attend the funeral here in NYC of James Gandolfini), I had the pleasure of interviewing Ana Ortiz, one of the stars of Lifetime's new series Devious Maids.

If the description of Devious Maids sounds familiar -- five women come together and form a friendship after the murder of one of their own -- it's because it's from the creator of the long-running hit Desperate Housewives, Marc Cherry.  In the interview below, Ana -- an incredibly funny, sexy lady whom I first met nearly a decade ago when she was acting in a sitcom pilot created by a mutual friend -- talks all about her new character, Marisol, and about her star-making role as Ugly Betty's fabulous, high-heeled sister Hilda.



And by the way, if you missed the premiere of Devious Maids this past Sunday, June 23, there are a few ways to catch up before episode 2 this Sunday.  This IMDB link will work for the next few days, so go ahead and enjoy the pilot for what looks like a fun, soapy new end-of-the-weekend treat.


Devious Maids
Lifetime
Sundays, 10 PM Eastern

Tuesday, December 8, 2009

Don't Miss Better Off Ted, tonight on ABC

Last Tuesday, Scrubs returned to ABC with a double-episode premiere of its new "2.0" format, set in a medical school. The ratings, unfortunately, were abysmal.

Tonight, following Scrubs, is the return of my favorite new show of last season, Better Off Ted. If you haven't yet sampled the show, set in the hilariously amoral corporate offices of conglomerate Veridian Dynamics, you're missing some of the edgiest, most pointed and yet silliest writing to be found in today's TV comedy. And some of the best performances, like standouts Portia DeRossi, as the driven and icy blonde boss Veronica, and Andrea Anders as the neurotic and moral underling Linda.

Yesterday, on Sirius OutQ's The Frank DeCaro Show, another of the show's stars, out gay actor Jonathan Slavin, who plays the hilariously put-upon lab researcher Phil, noted that ABC hopes that the pairing of Scrubs and Ted will click, since they both have such a smart comic sensibility. (I would also add that if you are/were a fan of either Arrested Development or 30 Rock, you should check in tonight with Ted.)

Personally, I wish ABC had given Ted the berth in its more successful Wednesday lineup which used to be occupied by Kelsey Grammer's now-cancelled Hank, and which now temporarily houses repeats of this season's best new comedy, Modern Family. Let's hope that Scrubs and Ted, two shows worth watching, can cause some uptick in the numbers at ABC -- although with CBS' combination of NCIS, NCIS: Los Angeles and The Good Wife catching fire this season, it's going to be a tough battle.

So check out the following clip from last season's finest half-hour, entitled "Racial Sensitivity" (in which Veridian's new automatic light sensors are unable to sense the presence of black people, effectively locking them in dark rooms at work) and then, if you still can't miss your LL Cool J fix -- and who could blame you? -- set your DVRs for a season pass of Ted.









Better Off Ted
Tuesdays at 9:30 Eastern
ABC

Tuesday, December 1, 2009

One Big Gay and Happy

Tune in tomorrow to The Frank DeCaro Show, when in the first hour, Frank will host a beloved TV icon who has an important announcement to make!

That's The Frank DeCaro Show,
Wednesday, December 2
11AM-12PM Eastern, 8-9 AM Pacific
OutQ
Sirius 109 / XM 98

Friday, September 25, 2009

The Munchkins Take Manhattan

During these past few days in New York City, I've felt like I'm a witness to history.

Last night, at Central Park's historic restaurant Tavern on the Green (itself on the endangered list as it is undoubtedly due for an overhaul on 1/1/10 when it will no longer be run by the LeRoy family, the descendants of the film's producer, Mervyn), Warner Brothers and its home video department gave a big bash to celebrate the 70th anniversary of The Wizard of Oz -- and a new blu-ray DVD box set coming out this coming Tuesday, 9/29.



In the restaurant's parking lot, a hot air balloon, much like the one belonging to the Great Oz, hovered, bearing the likenesses of the iconic film's stars. Later, inside, Oz star Judy Garland's daughter Lorna Luft performed a medley of songs from the film. As she explained in her intro to the medley, she had always resisted singing Oz songs, but had put together this arrangement just for last night's party. But as she elaborated this morning on "The Frank DeCaro Show" on OutQ (Sirius 109, XM 98), the songs she sang last night -- including "If I Only Had a Brain," "Optimistic Voices" and even the number cut from the film, "Jitterbug" -- were all deliberately chosen because they were songs Judy didn't sing in the film.

Following Lorna came Ashanti, who recently starred in The Wiz on Broadway. She deftly belted
out a loving rendition of "Over the Rainbow," and followed with another catchy song, from her new album.

But here's the part about being a witness to history: posing in front of the balloon, with stand-ins of Dorothy, the Tin Man, the Scarecrow and Lion, were five of the six surviving Munchkins. As John Fricke, who has authored three books about the film, explained in his intro, 124 little people worked on The Wizard of Oz. Today, six remain, the youngest, Margaret Pellegrini, at age 86.

They are the only people who remain from the cast of this iconic film. And as five of them gathered in one room, both last night and today on Frank's show on Sirius, I couldn't help but feel like I was witnessing the last of a great era. 70 years later, these performers, who came to Hollywood practically as kids, hearing of a rare big break for Little People, are still with us; and if the reaction of everyone gushing around them in these past few days is an indication, they're getting their due as living American treasures. I was happy to hear, for example, that back in November 2007, the then 8 surviving Munchkins got a star on the Hollywood Walk of Fame.

Pictured below are at left, author John Fricke (holding the sign), and at right, Lorna Luft.

And in between, Meinhardt Raabe (in wheelchair), the Munchkin coroner. He is the last remaining cast member who had actual solo lines in the film. And at age 94, he performed them today on the air. We'll all always remember:



As coroner, I must aver
I thoroughly examined her.
And she's not only merely dead
She's really most sincerely dead.





Next to Raabe, with the lollipop, is 89-year-old Jerry Maren, the center member of the Lollipop Guild. After Oz, Maren went on to do quite a bit of work in Hollywood, including the "Yada Yada" episode of Seinfeld, and has two films slated for release later in 2009-10. All together now:
We represent the Lollipop Guild
The Lollipop Guild, The Lollipop Guild
And in the name of the Lollipop Guild
We'd like to welcome you to Munchkinland.


Next to Maren is Ruth Duccini, 91. She met her husband on the set of the film, and was married for a little over 50 years. She has 2 children, 4 grandchildren, 7 great-grandchildren -- and got a laugh on Frank's show today when she said the family doesn't really care too much about her iconic status.

In the flowerpot hat, that's Margaret Pellegrini, 86. At only 15, she took a train, by herself, from Mississippi to Hollywood for a role in the film. Make that two roles. Not only will you see her in the film in that flower pot hat, but she's also one of the "Sleepy Heads."

And at right, in the tie, that's Karl Slover, who just turned 91 on September 21. Slover says he's the smallest cast member, at 4'4". "I couldn't reach the doorknobs," he says with a laugh. Slover had the talent, though, to be cast as 4 different Munchkins -- including one in drag. Catch him as the First Trumpeter, a Munchkin soldier, the sole Sleepy Head boy, and a singer urging Dorothy to Follow the Yellow Brick Road.

As author Fricke mentioned last night, some of these people had had some rough experiences in their lives before the film. But now, they're beloved by generations well into the future, well past their time, and undoubtedly mine. That's why I feel lucky I was able to express my gratitude (and perhaps drooling fandom) in person, to be able to thank them for their roles in creating a work of art that has inspired the imaginations of many millions.

(And P.S. -- if you missed the Munchkins and Luft on this morning's "Frank DeCaro Show," catch them again tonight on the rebroadcast. They're right at the top of the show, which means 10 PM Eastern / 7 PM Pacific.)

The Wonderful Wizard of Oz

Here's a goodie from today's broadcast of The Frank DeCaro Show that's headed straight for our collective pop culture archives: original Munchkin Karl Slover sings "The Wonderful Wizard of Oz." Check it out!


The Frank DeCaro Show
Monday to Friday, 11AM - 2PM Eastern, 8-11AM Pacific
Sirius OutQ
Sirius 109 / XM 98

Friday, September 26, 2008

NEW -- "Follow" Must-Hear TV!

As those of you familiar with RSS and Blogger undoubtedly already know, now there are quite a few ways you can keep getting daily helpings of Must-Hear TV dinners, delivered directly to your screen.


1) Near the upper right hand corner of the Must-Hear TV blog, you'll find a box titled Followers of Must-Hear TV. If you're a Blogger member, just click on the "Follow" link, and new posts from Must-Hear TV will be automatically mixed in to the news you receive on Blogger and/or Google Reader.


2) Directly under the Followers box is another way to subscribe to Must-Hear TV. In the box titled Get Blog Feed Subscription, simply click to subscribe to RSS feeds. The cool thing here is, you can also click to have post Comments mixed in to your news as well.


3) And if you'd prefer to receive your Must-Hear TV delivered via email (usually just after midnight), there's a box titled Get Email Subscription to Must-Hear TV where you can type in your email address. You'll be asked to verify a word image, and then will receive an email containing an activation link.



Join me for some daily fun, and let's talk... Must-Hear TV!

Thursday, September 11, 2008

Whatever, Martha!

Last night, on the suitably glamorous rooftop of the Hotel Empire, overlooking Manhattan's Lincoln Center, Martha Stewart unveiled yet another venture in her own ever-growing empire. But this new show for the Fine Living Network is not your mother's Martha show. Well, that is unless you're Martha's beautiful daughter, Alexis.

The co-host, with Jennifer Koppelman Hutt, of "Whatever" (Monday-Friday 5-7 PM Eastern) on Martha's Sirius satellite radio channel 112, Alexis has always had a dry sense of humor when it comes to her famous, and famously perfect, mom. Now, as Martha took to the stage on the Empire's rooftop, she showed she has that same sense of humor about herself, too.

An avowed fan of Mystery Science Theater 3000 (who knew?!), Martha says she watched one episode, where the MST crew took on a flick filled with tin-can robots, just last week. (Which makes me wonder, how does this woman have time to watch TV? At the very least, she must have been multi-tasking, and turned out half a dozen pies in the space of the program, while I merely probably ate as many.) The show gave her, Alexis and Jennifer an idea -- why not give the same irreverent treatment to some of Martha's old clips?

The result is Fine Living Network's Whatever, Martha, debuting this coming Tuesday, September 16 at 9 PM Eastern/Pacific. And it promises to be fascinating. Because as Martha herself pointed out tonight, whereas MST snarked out on silly movies, Martha has allowed -- and yes, I specifically noted that she used the word "allowed" -- Alexis and Jennifer to have at it with her own real self, and with each clip's guests as well. And given that Martha has been a crafting powerhouse for decades now, there are plenty of '80s styles (bad hair, acid washed jeans) to make great comedy fodder.


Scene: Kids in chef hats are using pastry bags to decorate cupcakes.
Martha: You're doing dots, you're doing dashes, and you're doing squiggles!
Jennifer: You're doing crap.
Alexis: Martha would like them to just stop, and get out of her kitchen.






In Tuesday's premiere episode, the girls watch a recent Martha clip in which she welcomes a guest who's a little too into twine. (The shapes of the spools, the roughness of the texture -- it borders on the sexual.) Alexis and Jennifer say out loud just what we're thinking about this rather odd man. And in the process, they create a new genre that's incredibly fun to watch.

Let's call it "Must Ridicule TV."


(Photos: My hubby, Sirius host Frank DeCaro, with three of his co-workers: Jennifer Koppelman Hutt; Alexis Stewart; and at bottom, of course Martha Stewart herself.)







Whatever, Martha
The Fine Living Network
premieres Tuesday, September 16
9 PM Eastern/Pacific