Wednesday, June 17, 2020

You Will Love Love, Victor

Love, Victor, starring Michael Cimino as Creekwood High School's latest queer/questioning student,
 premieres Wednesday, June 17 on Hulu
In 2018, Love, Simon made big-screen history as Hollywood’s first gay teen romcom.  Based on Becky Albertalli’s 2015 YA novel Simon vs. the Homo Sapiens Agenda, the film, adapted by This Is Us head-writing duo Isaac Aptaker and Elizabeth Berger and directed by gay powerhouse producer Greg Berlanti, ended up grossing $66.3 million in worldwide box office, against a production budget of $10-17 million, making it a bona fide hit – and deservedly so.

Having seen Love, Simon at least a half-dozen times since its release – it has become one of those films that, if I happen to come across it on TV or even on screen in a bar, I just drop everything, settle in and watch it to the end – I was both excited and maybe even a little nervous to hear that the film was being further adapted into a television series, Love, Victor.

Now, after viewing all ten episodes of Love, Victor’s first season (which drops on Hulu this Wednesday, June 17), I am not just pleasantly surprised, but thrilled by this expansion of the Simonverse.  The show has all the film’s best DNA, including literal links to the Simon characters we fell in love with, and yet expands the world of Creekwood with new, endearing, and more diverse characters.

Actually, I didn’t just “view” all ten episodes of Love, Victor; that word is way too casual for what my husband, Frank DeCaro, and I did that night last week.  We binged Love, Victor.  We devoured it.  And days and days later, we can’t stop thinking about it.  The show may be more literally aimed at a teen audience, to match its mostly teen characters; but for older viewers as well, gay or straight, it brilliantly brings you back to those moments in high school when decisions were tough, when the stakes were high, and when abject humiliation seemed imminent.

So if you’re like me, and immediately binge all ten roughly half-hour episodes in one sitting and are left in its particularly satisfying, cliffhanging end moments, you’ll be googling to find out what’s next for Victor and the entire Salazar family in Atlanta.  That’s why, in my interview with Love, Victor’s executive producer and showrunner Brian Tanen below, I start with mention of season two, and work my way back.

Love, Victor showrunner Brian Tanen
Must-Hear TV:  Here we are, just a few days before Love, Victor premieres on Hulu – and in what seems to be a big show of confidence on the part of the network, the show is already renewed for a second season.  At this moment, how far are you into writing season two?

Brian Tanen:  We have been at it for a few weeks. We're in the early to middle part of the season, coming up with ideas for what we might be headed, and it's really exciting. [With season one] it was incredibly exciting and meaningful experience to get to work on a show and a season about a kid really figuring out who he is and, and as we do within the LGBT community, having to come to terms with it and stop being afraid of it, start embracing it and eventually even feel pride for who you are.

That's really the journey of season one.  So season two is exciting, because it's all those things that happen next. Once you have figured out who you are, you have a whole range of experiences that you've been denying yourself. And so it's really wonderful to get to have a character who has figured things out and gets to experience first, love first heartbreaks, first sexual experiences  -- all the rich experiences that everyone has.

Must-Hear TV:  Yes, and I won’t give away the season one cliffhanger, but boy, did you leave us on a cliff!  

Brian Tanen:  It's a cliffhanger but it is also a really important, conclusive ending to the story of season one.

Ana Ortiz and James Martinez as Victor's parents, Isabel and Armando Salazar.
Previously, Ana has played the mother of a  gay son (Mark Indelicato) on Ugly Betty,
while James currently recurs as the father of a queer daughter
(Isabella Gomez) on Pop's One Day at a Time.

Must-Hear TV:  When you wrote that last scene of the first season, did you write beyond it, or even shoot further into the scene to use it in season 2?

Brian Tanen:  I think our feeling was that it was Victor's [Michael Cimino] journey.  And we knew that we didn't want to go past that. In the opening moments of the show, Victor tells the audience that his story is nothing like Simon's. And while we know [Victor’s parents] Isabel and Armando [Ana Ortiz and James Martinez] at this point of the season, and we know that they're crazy about their kid, we also know that they're more conservative, they're deeply religious, and we just know that it's going to be a more complicated journey ahead for Victor.

One of Armando's first questions is where in the new Atlanta
apartment to hang the crucifix.

Must-Hear TV:  What was your first experience with the “Simonverse” or the Creekwood universe?  Did you read the book?  Had you seen the movie?  How did you get involved with Love, Victor?

Nick Robinson in Love, Simon,
 released in 2018.  Nick is one
of the producers of Love, Victor.
Brian Tanen:  I came to the project originally as a fan. I had seen the movie and loved it.  Then Isaac Aptaker and Elizabeth Berger, who wrote the film and created this series, met with me early on in the process to talk about how they wanted to adapt it from film to television, and they pitched out for me, what their take was on expanding the universe of Creekwood and how the new story would be connected to Simon from the film, and I thought it was such a brilliant take. I absolutely adored the movie. But I understood some of the conversation about the fact that Simon had this idealized experience.  The fact that so much of LGBT representation is always focused on white characters. The fact that Simon's family was so accepting, and wealthy, it just seemed like that character came from a certain amount of privilege. And there was certainly an opportunity to tell a different story here, which really excited me.

Must-Hear TV:  In the structure of the show, Victor writes to Simon in each episode for advice.  In season two, will we see Victor pay it forward to someone else?

Brian Tanen:  I won't give any spoilers for season two, but I know on the writers’ room wish list we would love for Victor to not be alone as an LGBT student at Creekwood. I know we'd love to be more queer characters to populate our world.

Must-Hear TV:  When you start with a movie, how do you expand its world to add in more story for secondary characters?  Love, Simon had some great moments for supporting characters, but obviously with a series you have more time for that.  What were some of the conscious ways that you made Victor's world a little bigger than Simon’s had been?

Rachel Hilson as Victor's girlfriend, Mia
Brian Tanen:  One of my favorite parts about the show is that Victor isn't the only person dealing with secrets or problems. You learn over the course of the season about the personal problems of Mia [Rachel Hilson], Felix [Anthony Turpel] and Lake [Bebe Wood].  Everybody, especially teenage characters, is dealing with their own problems and their own secrets. And so it was a joy to be able to explore their lives and tell their stories, as well. And we have such a incredible cast of young actors. Each one of them to me feels like a little find.  So you just kind of wanted to live in their world and find out more and more about them.

Isabella Ferreira as Victor's sister, Pilar
Must-Hear TV:  As is Isabella Ferreira, who plays Victor’s sister, Pilar.  It feels like every one of those characters had his or her own moment of coming-out, not necessariliy as queer, but there was the same process of opening up and showing vulnerability.

Brian Tanen:  Yeah, I think that's exactly right. Even the parents are somewhat “closeted” about the things that are happening in their lives. The parents have this big secret, too, and that sort of explodes in the early to middle part of the season.

Must-Hear TV:  What was the thought process behind Victor's ethnicity? How did his family come to be Latinx?

Brian Tanen:  I think there was a concerted effort to tell a different story than Simon's from the film.  In queer representation, there’s often a focus on young, white men.  And we felt that a coming-out journey would be different through the lens of a non-white character.  And we were lucky to have a wonderful writing staff that was highly LGBT-forward and Latinx-forward, and as a result, we were able to pull from people's individual experiences so that the stories would be as authentic as they could be.

Anthony Turpel as Felix and Michael Cimino
 as Victor -- or is this "Velix?"
Must-Hear TV:  I’ve been contacted by people on twitter who are already ‘shipping different combinations of characters – I have one person asking me about “Velix” – and I don’t want to confirm or deny that that’s what happens.  But how did you decide the beats for Victor’s love story?  After Love, Simon, how do you tell another teen gay male love story differently?  It seems like there are only so many romcom tropes at your disposal.

Mason Gooding as jock and part-time
 antagonist, Andrew
Brian Tanen:  I have also seen the tweets where people are ‘shipping Victor and Felix, and they're ‘shipping Felix and Andrew [Mason Gooding], and there's an assumption that every character on the show will be queer.  And I find that so endearing!  Fans are guessing who's going to get together. And while a lot of it is not quite right, I do think there are individual little love stories within the season, some of which are platonic. But that those pairings are still ‘shippable, if you know what I mean, right?  I find Victor and Felix's relationship one of the most endearing of the entire show.  

George Sear as Creekwood's resident
out  student/barista/guitarist, Benji
In terms of telling a different teen gay love story, I think the story of Love, Simon was an untraditional romantic comedy in that it was two people who are missing each other the entire time, and didn’t know each other's identity. Love, Victor has some of the romcom DNA, but there's this doomed love triangle situation happening. We, the audience, are probably aware that this is not really going to work. But we also understand that there's real love there. And then there's Benji [George Sear], who is more like a fantasy all season, this ideal who makes Victor's heart go pitter patter.  I think in future seasons, all of that fantasy stuff kind of becomes real. There's actually a lot of story opportunity.

Must-Hear TV: What would this show have meant to you when you were a teenager? And turn that into a pitch for why teenagers should watch, and why adults should watch.

Brian Tanen:  I can't think of another show on television that has a young gay protagonist. So, for any teenager seeing this story, which has so much heart and affirmation and joy – well it’s funny that I get emotional thinking about it again, but you use it.  We would tell these stories in the writers’ room about things that happened to us in high school or, or what we wish had happened, and then we would get to put them in the show. So I think for any teenager who is struggling with these issues, to be able to see themselves represented on screen and represented in a way with heart and joy will just be an absolute breath of fresh air.  And for parents and really anyone else, the show is just incredibly charming and inclusive, and it will cure your summertime blues.  We're going through really turbulent times right now. The show has a message of love.  I feel like it’s kind of right what the doctor ordered right now.

Must-Hear TV:  I know it was obviously deliberate that the show would debut in June for Pride month, but who knew that we’d also be going through such turmoil as a country, and that the show could be a balm.

Brian Tanen:  We talk a lot in the writers’ room about how LGBTQ rights as we know them were largely born out of the Stonewall riots, and how that movement was championed and led by black trans activists.  So we feel a great deal of solidarity with what's happening in the country right now.  And I think the show hopefully feels like a show about inclusivity and equality and wanting to make the world a better place.

Must-Hear TV:  What I like about Victor is that he takes action to make his world better.  So many of the protagonists from the teen movies I knew were more passive, like Molly Ringwald waiting in the window for Jake to show up.  But there are a few moments in this season where Victor really takes a chance.

Brian Tanen:  Who amongst us hasn't been in a situation where you are close to the person you have a crush on?  And it feels like something might happen, but neither person is brave enough to make that move. But in our wish-fulfillment version, Victor goes for it.  For the writers, there was a lot of feeling like, “if only we could rewrite our own histories, and be braver.”  And even though it takes him a while, Victor does become a brave character.

Must-Hear TV:  Speaking of wish-fulfillment in looking back, do you think you will hear from older LGBT people who say, “If only I’d been more like Victor?”

Bebe Wood as Creekwood classmate Lake
Brian Tanen:  When Love, Simon came out, I noticed my Facebook feed was filled with comments from gay friends of mine, adults who had gone to see this film and absolutely loved it. And even though it’s about teenagers and is geared largely to a younger audience, a lot of LGBT adults didn't have that sort of romcom experience, so they still have an appetite for it, and still have a desire to see a younger generation have this moment.  So I'm hopeful that this will resonate with with adults as well.

Must-Hear TV:  What can you tell us about Season Two?  Because I'm sure there are going to be a lot of people like me who devour season one within one day and want to know more.

Brian Tanen:  Well, one thing I think I can say is that I think people are aware that the show had originally been written for Disney+, and then was eventually moved over to Hulu.  And now the reality of having our season two on Hulu provides so many opportunities to see these characters grow up. The writers on our staff, especially the gay writers, knew that one of the major problems with the representation of LGBTQ characters in media is that we're allowed to exist as long as we are not very sexual, if we're the funny friend, or the sidekick, but you rarely see narratives centered around characters who are have their own desires and crushes and sex lives. And so, now that we're on Hulu, that's something that I know we are all excited to write about, teenagers going through their first sexual experiences.  And what that looks like in 2020 when you're an LGBTQ teen.

Must-Hear TV:  So basically, thanks to Hulu, now you can be a little more risqué?

Brian Tanen:  I think we could be.  I think season two will be even sexier.

Love, Victor season 1 (10 episodes) premieres on Hulu on Wednesday, June 17.

Monday, July 29, 2019

Celebrate National Cheesecake Day with the Girls in Miami

For those of us who can't get enough of the Golden Girls -- including enjoying on Hulu, where they will soon be joined by their sisters, the Designing Women -- tomorrow (Tuesday, July 30) is your chance to celebrate in Miami, where ABC Studios and PopSugar are marking National Cheesecake Day with a Golden Girls pop-up event at Vicky's House restaurant in Coconut Grove.

Check out the special, limited-edition cheesecake milkshake, and snap up something from the ever-growing line of official, licensed Golden Girls merchandise (see photos below).  And of course, to get your copy of Golden Girls Forever, my book which spurred the studio to create official merch, check it out here.

ABC's press release below.  I can't be in Miami tomorrow, but have a cheesecake milkshake for me!

In honor of the ladies who define the term “Squad Goals,” ABC Studios and PopSugar are celebrating national Golden Girls Day and National Cheesecake Day with an exclusive one-day-only “The Golden Girls” pop-up event at Vicky’s House in Coconut Grove, Florida, on Tuesday, July 30, from 12:00 – 10:00 p.m.

  Fans and their friends are invited to stop by for a limited edition cheesecake milkshake inspired by “The Golden Girls,” pose for themed photo ops – including a scenic recreation of the ladies’ iconic lanai – and shop ‘til they drop on new and unique branded merchandise at the retail pop-up store!

  The pop-up store will offer fans the opportunity to purchase “The Golden Girls”-themed merchandise. Among the unique merchandise are books, party supplies, pins, dolls, tees, car sunshade, shower curtain and poster. All items can be purchased at

Location:                                Vicky’s House
                                                3190 Commodore Plaza
                                                Coconut Grove, FL 33133

Friday, July 26, 2019

The Ladies of Sugarbakers Ride Again

The cast of CBS' original Designing Women (1986-93):
l-r: Annie Potts, Jean Smart, Meshach Taylor,
 Delta Burke, Dixie Carter
This morning, at the Television Critics Association convention in Beverly Hills, Hulu made one of the most exciting announcements of the press tour so far -- about a show that premiered nearly 33 years ago.

After finding huge success in streaming all seven seasons of The Golden Girls, Hulu has announced its acquisition of all seven seasons -- 163 episodes worth -- of the 1986-93 CBS hit sitcom Designing Women.  The series will be available beginning August 26, which not so coincidentally, happens also to be Women's Equality Day.

Following a similar comedic "rule of four" with its characters, Designing Women starred Dixie Carter, Delta Burke, Annie Potts and Jean Smart as four women of different backgrounds and certainly personality types who ran a successful design firm in Atlanta, with Meshach Taylor joining as a fifth partner in the Sugarbaker Firm.  In many ways a Southern Golden Girls, Designing Women dared tackle political topics and social issues of its day even more directly -- in fact, it was the first sitcom to air an episode dealing with the HIV/AIDS pandemic -- and has earned a similarly devoted following even more than three decades later.  In fact, it's hard to find a gay man of a certain age who can't quote Julia Sugarbaker's "The Night The Lights Went Out In Georgia" rant word for word, after seeing the video clip playing seemingly on a loop in American gay bars.

With reboot fever in full bloom, Designing Women's prolific creator, Linda Bloodworth-Thomason, had recently written a pilot script which would feature a brand new generation working at Sugarbaker's -- but they would also be graced by recurring, if not regular, visits from the show's three original stars, Burke, Potts and Smart.  At a press event for Potts' current series, CBS' Young Sheldon, in the spring of 2018, she expressed enthusiasm for appearing again as Mary Jo Shively in any new Designing Women; but unfortunately, this past winter of 2019, ABC declined to shoot a pilot for the series.

It's not a complete coincidence that after Hulu began streaming The Golden Girls that Disney/ABC, the show's rights owner, finally began creating merchandise such as tee shirts, action figures, themed Monopoly and Clue games, and so much more.  (Immodestly, I must say that part of the credit should also go to my book Golden Girls Forever, which alerted Disney about all the merch money they had long been leaving on the table.)

So perhaps, with the new heat coming from Hulu, Designing Women might ride again?

Wednesday, January 23, 2019

Remembering Kaye Ballard, 1925-2019

Yesterday, the world awoke to the news that the singer, actress and comedienne Kaye Ballard, famous for originating roles in Broadway’s “Carnival” and “Golden Apple,” and on the TV sitcom The Mothers-in -Law, had died at her home in Rancho Mirage, California, at the age of 93.

Kaye’s death comes just a week after that of one of her best friends, another beloved Broadway and comedy legend (and another fixture in the Palm Springs area), Carol Channing, who died just short of her 98th birthday.

with Kaye Ballard in the New York studios
of Sirius XM for "The Frank DeCaro Show"
September 28, 2010
I had the pleasure of meeting both Carol and Kaye when they guested on Sirius XM’s “The Frank DeCaro Show,” as well as in interviews celebrating many of their famous projects.  For my upcoming book on The Love Boat, I was fortunate enough to get a fun story out of Carol.  And two years ago this month, I spoke by phone with Kaye about The Love Boat and so much more of her career.  My fellow paesana, Kaye and I got along famously – and we even compared notes about Southern Italian cuisine.  After all, as Kaye would point out when giving out her phone number, the digits even had the word EAT embedded within.

Below, just a bit of our fun conversation, which I’m so glad I had the opportunity to have with a show business legend.

Must-Hear TV:  Tell me about the documentary you’re working on, about your life and career.

Kaye Ballard:  You will be shocked with some of the people who spoke on it! Hal Prince and Woody Allen – who never talks about anything.  I’m so thrilled he said yes.  I knew him when he first started. He’s been wonderful.  And I always write him after a movie and rate it.

I have worked with great, great people, honey.  All the people I worked with on The Perry Como Show.  Being this old and never stopping to win an Emmy or anything like that, I just kept working and meeting all these people, and getting to know them.

MHTV:  A few years ago, I saw a lot of your talented friends join you on stage in Palm Springs, when you gave your “Going Out of Business” retirement performance.

Carol Channing and Kaye Ballard
at the Camelot Theater in Palm Springs
following the performance of
"Kaye Ballard: Going Out of Business"
March, 2014
KB:  Oh, Carol Channing!  My Carol Channing.  She did a number in that show.  Oh god, I love that number [Cecilia Sisson].  And I genuinely laugh that hard at that number every time I hear it.  The audacity of her taking that long, and to keep whistling – she’s one of the most wonderful people in the world.

MHTV:  Other than The Love Boat, you’ve had so many great TV roles.  I talked with Bernie Kopell about working with you on The Doris Day Show.

KB:  And we worked with Billy DeWolfe, who was a very close friend of mine.  He was one of the funniest men who ever lived.  He called me “Rose Boozy,” and he called Doris “Clara Bixby.”  He was just wonderful, and had the kind of wit that I think is missing today.

MHTV:  And of course, it was on for only two seasons, but people still remember and love The Mothers-in-Law.

KB:  That was my favorite thing, because I loved Eve Arden and I loved my first husband, Roger C. Carmel.  Oh my God, what a great actor he was.  Do you realize that that show went off the air because they wouldn’t give us a $250 raise?  Isn’t that funny?  It was amazing.  Eve Arden and I said, “Forget the raise – we want to keep going!”  But Roger said “No, it’s the principle of the thing, Cutes,” and they replaced him, which ended up being a mistake for the show. 

MHTV:  In addition to this documentary, a few years ago, you also published your memoir, How I Lost 10 Pounds in 53 Years.

KB:  Every word is true, and I think you can get it on amazon for either $5 or $10.  It’s wonderful what happened last year -- I had sent it to [theater and book critic] John Simon, and he threw it aside.  But then he wrote in his blog, “I picked up a book that Kaye Ballard wrote 6 or 7 years ago, and I’m so sorry I waited that long.”  And he just loved it.  And so he made my old age!

MHTV:  Tell me more about your documentary [titled Kaye Ballard: The Show Goes On, which premiered earlier this month at the Palm Springs International Film Festival, after which Kaye, suffering from heart problems just weeks before her death, received a standing ovation.]

KB:  At the moment it’s called “Medium Rare and Well Done.”  Because I’ve been in every medium of show business, and it’s called “Rare” because Carol Channing and I were maybe two of the people living who performed for the princess before she was queen.  So that’s pretty good.

MHTV:  Is that Princess Victoria, you mean?

KB:  Elizabeth!  Not Victoria, you cruel little person.

I say “Well Done,” because I think I have done it well.  Even though I didn’t win a Tony or an Emmy – that frustrates me to death.  Everything is politics, not only in show business, in every business.  Because I deserved one.  I certainly deserved nominations.  For “Carnival,” for “Golden Apple” – I should have won.

At that time, I was doing every medium, and they didn’t have respect for people who could do every medium.

MHTV:  Was there a stigma back then against actors who appeared on TV?

KB:  It’s not like that anymore, but it was then.  If you were kind of a hit in supper clubs, they didn’t think of you seriously as an actress or anything else.  But since then, I’ve proven it to myself, because I’ve done plays with Imogene Coca, Sandy Dennis – I could name many other people.  And so therefore, I know I was good.  That’s why I say “And Well Done.”

I thought I was pretty damn good in all the things I did, and I never resorted to any kind of vulgarity.  That’s what I resent today.  It was Jack Benny who told me that – he said, “Funny is funny, and you don’t have to go that far.”

And you know what was funny -- when I did The Mothers-in-Law, and I bit my fist, [the network censors] called the Italian embassy.  And when the Italian embassy came on the set, they asked them, “Hey, what does that mean?”  but you know, I say “Va Fa Napoli.”  That sounds like it could be vulgar, but it means “Go to Naples.”

I did the movie The Ritz, and I had to say “FUCK” in the last scene.  My mother wouldn’t talk to me for months.  I had to do that.  I said it once, and I got this long grief in this f-ing family.  My mother went into shock.

MHTV:  Was your mother very proper?

KB:  She was from Calabria.  She came over from Italy when she was about 8 or 10.  And talk about grief, my grandmother came over with five kids and one of them died of diphtheria on the ship.  It took them 30 days to come across.  It was the cattle boat.  I’ve had an interesting life.

MHTV:  Which we’re about to see on the big screen.

KB:  The documentary has all these interviews, and now the filmmaker will piece it together.  Michael Feinstein, Rex Reed, Liz Smith, wonderful people.  Donna McKechnie, Jerry Stiller – my best friend.  Oh, I love him more than I can tell you.

I’ve been lucky.  I’ve met all the people I’ve really admired, and got to know them, like Bette Davis and Cary Grant and Barbara Stanwyck, and another idol, Irene Dunne.  Clark Gable, I asked him for an autograph, and he said, “The heck I’ll give you an autograph, but I’ll give you a kiss.”

MHTV:  Did you take the kiss from Gable?

KB:  Yes.  It was when I first performed with [bandleader] Spike Jones, in 1947 or ‘48.  We were playing the Trocadero, and I went up to Gable and said “Oh my God, I’d love it – can I have your autograph?”  And he said no, but he stepped and kissed me on the cheek.  I thought “Oh my lord!”  It was wonderful.

I think people are going to say, “Oh, you didn’t know all those people” – but I knew much more than that!  When I went to England, I turned down a date with Richard Burton, because I was doing two shows a day.  But then I met his wife and Jean Simmons and Glynis Johns and Michael Wilding.  I was fascinated with anybody in show business who achieved excellence.

MHTV:  You mean you could have had those diamonds instead of Liz Taylor?

KB:    I doubt it.  I wouldn’t even know how to be a glamour queen.

MHTV:  They say that passion for something, like your appreciation of excellence in a performer, is what keeps people going.

KB:  That’s it.  I can get jaded today with some of the performances.  But I still admire.  I’m a fan.  I’m an eternal fan.

Tuesday, October 9, 2018

An Evening with Sunday Morning, a Night with CBS Sports

The stage is set for "An Evening with CBS Sunday Morning"
October 1, 2018, Town Hall, New York City
In 2014, Netflix reconstructed Friends' Central Perk coffeehouse in Manhattan's East Village.  The following year, Hulu recreated Seinfeld's Monk's Diner on Melrose Avenue in West Hollywood.  And this past spring, PBS brought Downton Abbey to life in the 21st Century, with an exhibition of props and memorabilia that has toured from Manhattan's 57th Street to its upcoming next stop in Florida's West Palm Beach (opens November 10.)

Jane Pauley interviews The Front Runner director
Jason Reitman (l) and star Hugh Jackman
Town Hall, NYC, October 1, 2018
Photo by John Paul Filo/CBS
Now CBS is the latest network to get in on the action -- and it has created a whole new division to do so.  With TV audiences becoming ever more fragmented, one of the best ways to bond with viewers -- and in some cases, start a new stream of revenue -- is via "interactive television," giving audiences a chance to experience aspects of their favorite shows live and in person.

On October 1, CBS Experiences (or CBSX) debuted its first presentation, a live version of its well-heeled newsmagazine CBS Sunday Morning at Manhattan's Town Hall.  "An Evening with CBS Sunday Morning" was hosted by some of the morning show's famous correspondents, and featured interviews with the likes of the director and star of the upcoming film The Front Runner, Jason Reitman and Hugh Jackman; the cast of Murphy Brown; subjects from favorite past stories such as Georgia widower Dan Peterson and Norah Wood, the little girl who asked to hug him in the supermarket; plus live performances by Late Show with Stephen Colbert bandleader Jon Batiste, David Yazbek of the Broadway show The Band's Visit, David Brown's The Harmony Project, and more.

The cast of Murphy Brown (l-r, Grant Shaud, Joe Regalbuto,
Faith Ford, Candice Bergen) with Lee Cowan
NYC's Town Hall
October 1, 2018
Photo by Michele Crowe/CBS

Next up, CBSX tackles an even bigger demographic, putting together a program for sports fans called "CBS Sports Friday Night Tailgate."  Featuring the networks' famed sportscasters Phil Simms, James Brown, Bill Cowher, Nate Burleson and Boomer Esiason, plus gourmet "tailgate food" from Bareburger, Mighty Quinn's barbecue, Tao and more, the program will take place at Times Square's PlayStation Theater on Friday, November 9 at 7 PM Eastern. (Click for more info.)

Stay tuned for more announcements of unique CBSX experiences, which I hear are planned thru 2019 and beyond.

Musician David Krauss kicks off the evening
with a performance of the CBS Sunday Morning theme
"Ablassen," by Gottfried Rieche.
October 1, 2018, Town Hall, New York City
Photo by Michele Crowe/CBS

Correspondent Mo Rocca introduces his fellow CBS Sunday Morning Journalists
October 1, 2018
Town Hall, New York City
Photo by John Paul Filo/CBS

CBS Sunday Morning correspondents:
(l-r), Tracy Smith, Lee Cowan, Rita Braver,
Martha Teichner, producer Rand Morrison,
Jane Pauley and Mo Rocca
Town Hall, NYC, October 1, 2018
Photo by Michele Crowe/CBS

The Late Show with Stephen Colbert's Jon Batiste
performs at Town Hall, NYC,
October 1, 2018
Photo by Michele Crowe/CBS

A performance by The Harmony Project, led by David Brown
 From left: Candace Haynes, Nicole Jie, Sybil Scoby, Joshuah Campbell,
 Jamie Leonhart, Damaras Obi and Chanté Odom.
Town Hall, NYC, October 1, 2018
Photo by Michele Crowe/CBS

Charles Osgood, host of CBS Sunday Morning from 1994-2016,
waves to the crowd at NYC's Town Hall,
October 1, 2018.
Photo by John Paul Filo/CBS