Showing posts with label Betty White. Show all posts
Showing posts with label Betty White. Show all posts

Tuesday, February 23, 2021

Join the Pet Set

If you are a fan of animals, of classic TV -- and here's a no-brainer:  a fan of Betty White -- then you'll want to check out today's DVD box set release of her early '70s talk show, Betty White's Pet Set.

The show's 39 full-color episodes, which debuted in 1970 -- in one early episode, Betty hosts her friend Mary Tyler Moore, years before she would join that show and become an iconic member of its cast -- boast a veritable who's who of  '70s television, each star stopping by to show off a beloved pet.  It's such a revealing and intimate look at the stars' personal lives, the kind you won't get during a packaged, PR-approved visit to The Tonight Show.

No one will ever have a career like Betty's, spanning eight decades in televi
sion, because Betty was quite literally there when they first turned on the TV cameras in Los Angeles, hosting hours each day of live talk.  By the time of Pet Set, Betty was an established pro, and it shows in her quick wit, and her ability to make her guests comfortable and move the segments along.  Combine that with her innate love for and comfort with all creatures great, small, and even deadly, and also her relationships with experts in zoology and conservation, and you have a breezy half hour that's both enlightening and entertaining.

I've heard that Betty has had these episodes sitting in her treasure chest for years, and decided now, at the show's 50th anniversary, was the perfect time to release them for a new generation to enjoy.  (They are also apparently available, for a fee, on Amazon Prime.)  The box set, which was released today, also boasts a good number of special features, including a behind-the-scenes mini-documentary; promo and public service spots; photo galleries of Betty and pets and also Betty and her husband /fellow producer Allen Ludden; and several featurettes about Betty subtitled Game Show Goddess and Queen of Television.

I spent the weekend bingeing episodes with such amazing guests as Mary Tyler Moore, Carol Burnett, Paul Lynde, Agnes Moorehead, Beverly Garland, Lorne Greene, Eve Arden and Barbara Feldon -- and I have so many more to look forward to, including Doris Day, James Stewart, Burt Reynolds, Shirley Jones, Michael Landon, Barbara Eden, James Brolin, Della Reese, Vincent Price, Eva Gabor, Eddie Albert, Peter Marshall, Rose Marie, Bob Crane, Bill Bixby, Jim Nabors, Bob Barker, Mike Connors, Barbara Bain, Dennis Weaver, Johnny Mathis, Donald O'Connor, Merv Griffin, Rod Serling, Pat Carroll, Peter Lawford, Vikki Carr, Amanda Blake, Arte Johnson, Sue Anne Langdon, Miyoshi Umeki, Richard Deacon, Nancy Kulpe and Billy DeWolfe.

Between Pet Set and my continued viewings of The Love Boat in preparation for writing my next book, I can look forward to spending many of these pandemic hours with some old friends from sunnier times past.  Thanks, Betty!



Monday, July 29, 2019

Celebrate National Cheesecake Day with the Girls in Miami


For those of us who can't get enough of the Golden Girls -- including enjoying on Hulu, where they will soon be joined by their sisters, the Designing Women -- tomorrow (Tuesday, July 30) is your chance to celebrate in Miami, where ABC Studios and PopSugar are marking National Cheesecake Day with a Golden Girls pop-up event at Vicky's House restaurant in Coconut Grove.

Check out the special, limited-edition cheesecake milkshake, and snap up something from the ever-growing line of official, licensed Golden Girls merchandise (see photos below).  And of course, to get your copy of Golden Girls Forever, my book which spurred the studio to create official merch, check it out here.

ABC's press release below.  I can't be in Miami tomorrow, but have a cheesecake milkshake for me!



In honor of the ladies who define the term “Squad Goals,” ABC Studios and PopSugar are celebrating national Golden Girls Day and National Cheesecake Day with an exclusive one-day-only “The Golden Girls” pop-up event at Vicky’s House in Coconut Grove, Florida, on Tuesday, July 30, from 12:00 – 10:00 p.m.

  Fans and their friends are invited to stop by for a limited edition cheesecake milkshake inspired by “The Golden Girls,” pose for themed photo ops – including a scenic recreation of the ladies’ iconic lanai – and shop ‘til they drop on new and unique branded merchandise at the retail pop-up store!

  The pop-up store will offer fans the opportunity to purchase “The Golden Girls”-themed merchandise. Among the unique merchandise are books, party supplies, pins, dolls, tees, car sunshade, shower curtain and poster. All items can be purchased at https://www.toynk.com/collections/golden-girls.




THURSDAY, JULY 30
Location:                                Vicky’s House
                                                3190 Commodore Plaza
                                                Coconut Grove, FL 33133











Thursday, March 15, 2018

Maurice Made "Golden" Magic

Recently, I learned of the passing of makeup artist and inventor, Maurice Stein.  I had the pleasure of interviewing Maurice in 2006, inside Cinema Secrets, the Toluca Lake, California store which sells not just cinema-quality makeup, but also many of his ingenious innovations.

Talking with Maurice was one of the most memorable experiences I had in researching Golden Girls Forever -- and that's really saying something, because I also got to sit for a day each with Bea Arthur, Rue McClanahan and Betty White!  But for one thing, makeup artists are often privy to the most intimate details of stars' personal lives, spending so much time with them each day.  And Maurice's memories of the groundbreaking show, and his storytelling skills, were both superb. 

But the most interesting thing I learned that day was about how, out of Golden Girls necessity, Maurice ended up inventing a brand new cinema technique that is still used to this day.  Below, a featurette that didn't make it into Golden Girls Forever, due to space constraints.  (Hopefully it will someday, in some kind of expanded edition.)  I think it's a proper tribute to a funny, warm guy whom I had the pleasure of meeting, and who helped bring the world laughter via Sophia Petrillo.


As The Golden Girls progressed, the series’ hair and makeup crew would be tasked with some very specific challenges, such as turning Estelle Getty and Bea Arthur into a convincing Sonny and Cher. But by then, such sartorial switchups were old hat for costume designer Judy Evans, hair stylist Joyce Melton and makeup artist Maurice Stein.  After all, they’d already been convincingly transforming Estelle – actually a tiny bit younger than her co-stars Betty and Bea – into an old lady for years. 

For the earliest episodes in season one, Estelle's hair was merely sprayed gray, as the actress herself had done to perform her shtick for producer after producer during her many auditions.  But very soon, as it became clear that The Golden Girls would be an enduring hit, it also became obvious that some things had to change.

And so, not far into the first season, the show's producers commissioned Sophia's trademark -- and expensive -- curly white human-hair wig.  But the larger problem was, the prevailing old-age makeup technique at the time, a process called “stretch and stipple,” took over four hours to apply, and as Maurice remembers Estelle saying, “an hour and a half, and a couple of vodkas, to take off.”  Each week, that added up to five or six hours of expensive production time – and an extra headache for an already nervous Estelle.

And so, Golden Girls producer Marsha Posner Williams had made a call to Maurice, luring him out of his early retirement; as luck would have it, Maurice had spent his newfound spare time inventing a new waterproof, oil-free foundation.  Now, instead of putting his star through the time-consuming application, blow-drying and powdering of layers and layers of latex, Maurice was able to cover Estelle’s face with several strata of the fast-drying foundation, and followed by accentuating her natural wrinkles with a makeup pencil (and, after Estelle’s facelift between seasons one and two, creating those lines anew.)

Today, Maurice still sells his Cinema Secrets Ultimate Foundation to the public; and because it's one of the only products medically approved to cover radiation burns, he donates his time and product to kids in burn units and to women with cancer.  As Maurice jokes, his products “aren't tested on animals…but on actors.”  So really, he adds, in the end, it was partly Estelle's ambition to play Sophia that has resulted not only in an innovative new product, but also in charitable work that has benefitted people around the world.

Jim Colucci, Golden Girls Forever, copyright 2016 HarperCollins Inc. 







Monday, September 11, 2017

I'm So Glad We'll Have More Time Together

When The Carol Burnett Show first aired on CBS fifty years ago today, on September 11, 1967, few of us probably could imagine a date in 2017, way into the 21st Century, or the show's long-lasting impact.

Even Carol herself was just initially thinking of the show on a short-term basis -- because the show was actually an unintended result of a little-noticed clause in Burnett’s contract for The Garry Moore Show wherein CBS promised the musical comedy actress her own program.  But from such inauspicious beginnings, Burnett and her talented ensemble cast of Harvey Korman, Tim Conway, Vicki Lawrence and Lyle Waggoner soon became a hit, averaging 30 million viewers per week and ultimately winning 25 Emmy Awards.

And now, even though The Carol Burnett Show has been off the air for several generations, Burnett told me in a 2012 interview that she still gets mail "from teenagers -- even 11-year-olds -- who write me because they've seen individual sketches on YouTube.  They're the sweetest letters, saying 'We heard about this show from our parents' or 'our grandparents. We wish we could have been there at the beginning.'"

The timing of the 50th Anniversary celebration is part of a perfect Carol Burnett storm happening in 2017, reminiscent of the big year another then-octogenarian icon, Betty White, experienced in 2010.  In July, Netflix announced a new unscripted series, A Little Help with Carol Burnett, in which the comedy legend joins a panel of 4- to 8-year old kids to give life advice.  And this past spring, Carol shot the pilot for Household Name, a multi-camera sitcom in which she plays a deliciously haughty 92-year-old movie queen living with a non-showbiz family in her Los Angeles manse; having attended the May pilot taping, I can attest that the show was hilarious, which is why it was surprising when ABC did not pick it up to series at the time of its May upfront presentation.  Still, the show is currently being redeveloped by its creator, Michael Saltzman, and the network, which was thrilled with Carol's work, hopes to pick it up in the future. 

There have been studies in the past showing that in bad economic times, comedy flourishes; and someday, I'm sure, sociologists will study 2017, and see how the anxiety of the Trump era drove us all towards the comfort of safe, nostalgic programming.  Netflix already has had several seasons of success with its Fuller House, and now this season on the broadcast networks we have upcoming reboots of '90s sitcoms Roseanne and Will & Grace.  Just the other day, ABC picked up a pilot for a new version of its 1981 show Greatest American Hero -- which wasn't even a hit in its day, but remains beloved by its fans nonetheless -- this time with a female, Indian-American lead.  Suddenly, everything old is new again.

And so this December 3, CBS is celebrating the Golden Anniversary of The Carol Burnett Show -- a little late, but perfectly timed to catch us in a nostalgic, holiday mood.  The star-studded tribute will tape next month in Los Angeles.  Below, CBS' press announcement about the special honoring their comedy icon.


Sept. 7, 2017

CBS CELEBRATES THE 50TH ANNIVERSARY OF THE CLASSIC, AWARD-WINNING COMEDY PROGRAM “THE CAROL BURNETT SHOW”
WITH A NEW STAR-STUDDED TWO-HOUR SPECIAL

“The Carol Burnett 50th Anniversary Special” to Air Sunday, Dec. 3

CBforRelease5

Carol Burnett, Original Cast Members Vicki Lawrence and Lyle Waggoner, Costume Designer Bob Mackie, along with Celebrities Jim Carrey, Kristin Chenoweth, Stephen Colbert, Harry Connick Jr., Bill Hader, Jay Leno, Jane Lynch, Bernadette Peters, Maya Rudolph, Martin Short and More Will Commemorate the Groundbreaking Show

CBS will celebrate the 50th anniversary of Carol Burnett’s classic, award-winning comedy series with THE CAROL BURNETT 50TH ANNIVERSARY SPECIAL, a new two-hour star-studded event featuring Burnett, original cast members and special guests, on Sunday, Dec. 3 (8:00-10:00 PM, ET/PT) on the CBS Television Network.

Filming on Stage 33 at CBS Television City in Los Angeles, the show’s original soundstage, Burnett will reminisce about her favorite sketches, Q&As with the studio audience, guest stars, her memorable wardrobe and bloopers, as well as the tremendous effect the show continues to have on television today as a true pioneer of sketch comedy.

“I can’t believe how fast the time went, and what makes me the happiest is that so much of the funny stuff we did still holds up today, and we can share it with generations to come,” said Carol Burnett. “What a great ride!”

“‘The Carol Burnett Show’ was a comedy showcase that was years ahead of its time. If social media existed then, clips from the broadcast would have quickly gone viral,” said Leslie Moonves, Chairman and CEO, CBS Corporation. “We are very proud of the show’s significant place in CBS’ legacy, as well as in television history, and we look forward to this primetime celebration of incredible talent, led by the incomparable Carol Burnett.”

The special will also feature original cast members Vicki Lawrence and Lyle Waggoner, costume designer Bob Mackie, as well as other comedians, comic actors and friends, including Jim Carrey, Kristin Chenoweth, Stephen Colbert, Harry Connick Jr., Bill Hader, Jay Leno, Jane Lynch, Bernadette Peters, Maya Rudolph and Martin Short, among others, who will join Burnett to discuss how the revolutionary series paved the way for them and impacted their careers.

“The Carol Burnett Show” premiered on Sept. 11, 1967 and starred Carol Burnett, Harvey Korman, Vicki Lawrence, Lyle Waggoner and Tim Conway. Airing for 11 seasons and a total of 276 episodes, the show earned a total of 25 Primetime Emmy Awards, including three for Outstanding Variety-Music/Comedy Series. In addition, the show earned eight Golden Globe Awards, including one for Best Television Show – Comedy or Musical, and Burnett received four for Best Actress – Comedy or Musical.

THE CAROL BURNETT 50TH ANNIVERSARY SPECIAL will be produced for television by dick clark productions. Carol Burnett, Steve Sauer, Allen Shapiro, Mike Mahan, Mark Bracco, Paul Miller and Leslie Kolins Small are executive producers. Paul Miller directs.

CHEAT TWEET: Celebrate the 50th anniversary of #TheCarolBurnettShow! 2-hour star studded special event on Dec. 3! #CarolBurnett50

Monday, March 20, 2017

Meet Ms. Wilson

Betty White and Emily Osment
in Freeform's Young & Hungry
Tonight's episode of Freeform's sitcom Young & Hungry marks the introduction of a new character, Ms. Wilson -- played by a venerable lady who is anything but young.

The show's writers had laid out this Valentine's Day-themed episode, where after a misunderstanding Gabi has to return a ring she has just learned was not intended for her.  But as originally scripted, before Gabi can get to the ring, a mouse would nab it first.

But, as the show's creator David Holden notes, the network's executives found the mouse bit a bit forced, "and for lack of a better word, cheesy."  And so David and another of the show's writer/producers, Caryn Lucas, took a walk around the CBS Radford studio lot to brainstorm.

With Young & Hungry being directed by Andy Cadiff, who had worked with Betty White all through Hot in Cleveland, the Young writers already knew they wanted to find a way to lure Betty onto their set.  So when David and Caryn decided the plot would instead involve a neighbor in her apartment, "Caryn turned to me and said, 'What if the neighbor is Betty?'," David remembers.

The two rushed back to their offices and pitched the idea to the rest of the staff; ultimately, writer Rachel Sweet, who had spent years on Hot in Cleveland, was elected to write dialogue for Betty's new character:  the five-times-married widow, Bernice Wilson.

Betty filmed her scenes for tonight's episode in December -- not in front of the live audience, but pre-taped, mostly because her scenes would be shot on "swing sets" which are located off to the side of the soundstage, out of the audience's view.  Her scenes completed, Betty had had such a great time  that she indicated that day that she'd like to return.

And so, later this season, look for a romantic episode where Mrs. Wilson and Gabi take a danger-fraught road trip to Vegas.  As Gabi (Emily Osment) suffers through, at 25, her "quarter-life crisis," Bernice, turning 95 on the same day, has a preoccupation of her own:  to meet up with a man she kissed 20 years ago, and with whom she made a pact to meet as they turned 95.  Ultimately, Betty was thrilled not only to come back to Young & Hungry in a bigger plotline revolving around her character, but also to be playing opposite her real-life close friend Carl Reiner, aka Bernice's long-lost beau, Bernie.

As David explains, the writers came up with the idea of the age-based pact when they realized that the episode would be taping on the day of Betty's actual 95th birthday:  January 17, 2017.  After the scenes were shot, the Young & Hungry stages turned into a birthday party for Betty, with a select number of humans, including Carl and also her former Mary Tyler Moore Show and Hot in Cleveland co-star Georgia Engel, and a preponderance of animals.  Throughout the evening, Betty talked with her guests while nonchalantly cradling a porcupine, or armadillo, or a lynx which, David admits, "I was afraid was going to claw her face off."

Betty's second episode, opposite Carl, will air in May -- and it will probably not be her last; Young & Hungry's writers intend to bring back Bernice, whose relationship at ninetysomething is a nice counterpoint to Gabi and Josh's. Now that the show has gotten the "back order" of episodes to comprise the remainder of its fifth season, David explains that while the first ten episodes will be about Gabi and Josh (Jonathan Sadowski) realizing they were meant to be together, "the back ten will be about exploring what that entails."  And as Bernie and Bernice explore their own burgeoning love, the two women will be able to compare notes about what it means to move in with a guy.  "The younger with the older," David says, "is such a great dynamic."

Tuesday, February 14, 2017

Happy Galentine's Day!

Just a reminder for tonight, as you snuggle with your partner or sit in front of the TV with a new box of bon bons (no judgments here!):  As of yesterday, all 180 half-hours of The Golden Girls became available for streaming on Hulu.

Yes, it's a fun ritual to tune in at 11 PM to see which episodes Hallmark is featuring for the night.  But now, for the first time, you can stream at any time any episode you want.  Like Rose, jonesing for a pain pill, or Dorothy, making surreptitious calls to her bookie, you can find on Hulu the fix you're craving.  Again, no judgments!

Happy Gal-entine's Day!

Wednesday, January 25, 2017

In rerun heaven, she'll always turn the world on with her smile

Cast members of The Mary Tyler Moore Show,
reunited in 2013 on TV Land's Hot in Cleveland.
l-r, Valerie Harper, Cloris Leachman, Mary Tyler Moore,
Betty White, Georgia Engel
She could turn the world on with her smile, and she will continue to do so for decades and generations to come.  TV icon Mary Tyler Moore died today at age 80, after years of declining health due to her lifelong fight with diabetes.

It was actually through the fight against diabetes that I first met Mary, at a Juvenile Diabetes Walk in New York City, a cause to which she was incredibly dedicated.  An animal lover, Mary also co-hosted with Bernadette Peters the "Broadway Barks" benefit each year, a beautiful event celebrating and adopting out animals in Manhattan's Shubert Alley.

But it was my husband Frank DeCaro's encounter with Mary that I'll always remember.  In 1997, Mary had appeared on Rosie O'Donnell's talk show, and talked about her desire to reunite with Valerie Harper in a new show, to be called "Mary & Rhoda."  At the time, Frank was writing a style column for the New York Times, and so, while searching for a topic for his next piece, he decided to write about what Mary Richards and Rhoda Morgenstern's lives would look like in the late '90s, twenty years after we'd last seen them on our screens.

The day after the column ran, Frank's home office phone rang; the voice on the other end said simply, "Please hold for Mary Tyler Moore."  A few seconds later, he heard, "Hello, Fraaaank?" in that famous quaver.

Valerie Harper and Mary Tyler Moore
attend the taping of NBC's 90th Birthday
Tribute to Betty White, January 2012.
Mary invited Frank to lunch, and of course he eagerly agreed.  But on the appointed date and time, all hell broke loose.  A storm raged in Manhattan, and bricks were falling off a building on Madison Avenue.  President Clinton was in town, causing a giant case of gridlock.  And despite trying to get from Chelsea to the Upper East Side restaurant by both subway and cab and then on foot, Frank arrived over an hour late. (Remember, this was JUST before we all had cell phones in our pockets.) Would a TV icon be furious with him -- or would she be gone?

To Frank's delight, Mary had had company for the hourlong wait -- surprise lunch guest Valerie Harper.  I first met Frank by reading his memoir, A Boy Named Phyllis, about growing up in surburban New Jersey and, yes, adopting the nickname Phyllis, after Elton John's supposed sobriquet for Rod Stewart.  The ladies understood his lateness, and they all three -- Mary, Rhoda and Phyllis -- proceeded to have a lovely lunch while brainstorming what the show could be.

Mary & Rhoda ended up going through several sitcom script iterations before being reconceived as a TV movie for ABC -- which scored high ratings.  Mary and Valerie never did reunite again on their own, although they both did join their former Mary Tyler Moore Show castmates Betty White, Cloris Leachman and Georgia Engel in a 2013 episode of Betty's TV Land sitcom, Hot in Cleveland.

Mary leaves behind an incredible showbiz legacy, from her iconic roles on landmark sitcoms The Dick Van Dyke Show and her own self-titled, groundbreaking '70s hit to amazing performances in films such as 1980's Ordinary People and one of my own silly favorites, 1967's Thoroughly Modern Millie.

The Television Academy's Archive of American Television project is an amazing resource, interviewing our TV legends about the span of their lives and careers.  Here, a link to Mary's full two-hour interview with the Archive, conducted by Diane Werts in New York City in 1997.  At the end, she discusses just how she'd like to be remembered.

Wednesday, September 14, 2016

Happy Anniversary, Golden Girls!

Bea Arthur, Estelle Getty, Betty White and Rue McClanahan
in the Girls' kitchen -- which had been recycled from a failed
ABC sitcom a year earlier, Richard Crenna and Patty Duke's
It Takes Two.  Problem is, as newly reconfigured, it had no
oven. 
It was thirty-one years ago tonight, on September 14, 1985, that four older ladies called "The Golden Girls" first came into our living rooms.

If you were like me, a teenager in the pre-Internet era who diligently followed all buzz about the new fall season as doled out in the entertainment press, you knew this new show was going to be something special.  After all, it hailed from Susan Harris, the brilliant creator of Soap, and starred TV icons Bea Arthur, Betty White and Rue McClanahan.  And yet, the buzz also said, this newcomer Estelle Getty just might steal the show.

As I've said many times in promoting my book Golden Girls Forever, The Golden Girls was just as unlikely a network product back then as it would be now -- in fact, maybe even more so.  After all, advertisers were then, too, chasing a younger age demographic -- and why, conventional wisdom would say, would those young viewers want to watch four old ladies in Miami?

Before even Susan Harris' involvement, it had been the foresight of NBC head Brandon Tartikoff that had brought these Girls to life (even if the network honchos were afraid, deferring to political correctness, of calling these four ladies "Girls" until Susan Harris reassured them).  Tartikoff had been gestating the idea for a while, having watched the movie How to Marry a Millionaire with his nieces, and having observed the interplay among his crotchety elder relatives in Florida.  So when, at an otherwise boring NBC fall preview event, Night Court's Selma Diamond and Remington Steele's Doris Roberts enlivened the proceedings with their scripted shtik mistaking the title of network's big hope Miami Vice for "Miami Nice," Tartikoff realized the idea was worth pursuing.

It's only through the miracles of great writing and great casting that the fleshed-out concept made it not just to the national airwaves, but into the pop culture pantheon, celebrated as it is more than three decades later.  At 63, Betty White was the eldest of the four women (older by only four months than Bea Arthur, though); today at 94 she's still a national treasure and inspiration.

And so I was honored to get the chance to sit with Betty, as well as Bea and Rue, in their living rooms, and hear their stories about their experiences on the show firsthand.  In all, over 250 guest stars, writers, producers and crew members were happy to share their memories -- and in some cases, rare artifacts -- with me for the book, eager to ensure that such a rare show should enjoy the legacy it deserves.  So to Susan Harris, to Betty, and to the three other Golden ladies we've lost but will never forget, I'd like to take the occasion of this 31st anniversary again to say thank you for the years and years of not just laughs but thought-provoking takes on issues that still concern us.  And above all else, of course, Thank You For Being a Friend!

Tuesday, September 18, 2012

A Still-Golden Anniversary: 20 Years Since Debut of Failed Spinoff Golden Palace


For seven seasons, The Golden Girls brought groundbreaking comedy to the small screen, and made icons of its four leading ladies.  Then in 1992, three of the Girls packed up the house on Miami’s Richmond Street, and moved to the beach – and to CBS.

The Cast of Golden Palace (1992-93).
  Back:  Cheech Marin as chef Chuy Castillos;
Don Cheadle as desk clerk Roland Wilson;
Billy L. Sullivan as Oliver Webb;
Front:  Rue McClanahan, Betty White, Estelle Getty
With schoolteacher Dorothy Zbornak now married and living in Atlanta – after actress Bea Arthur had opted out of The Golden Girls, thus ending the series – her roommates Blanche and Rose moved to Golden Palace, making the odd, life-changing decision to invest their savings in the show’s titular hotel.  Stranger still, Dorothy had even left her by now nearly nonagenarian mother Sophia behind; soon, after some financial miscalculations, the three women found themselves putting in backbreaking hours of cooking and cleaning as the Art Deco District’s most unlikely hoteliers.

Producer Tony Thomas remembers the decision to take the three remaining Girls in such a new direction.  “You don’t replace Bea – it would have been ridiculous to have someone try,” he explains.  Thomas says that he and fellow producers, Golden Girls creator Susan Harris and her husband Paul Witt, “have always liked the idea of doing a show about life in a hotel.  There’s something appealing about a core cast in such a transient setting.”

“We wanted to show these woman as still vital and active,” Witt adds.  “So taking over a small hotel would put them in contact on a regular basis with interesting people, and keep them active as they learned to do something different.  We couldn’t do ‘Golden Girls Redux’ or ‘Golden Girls Continued.’  We had to make it different and hopefully comfortable.”


The Old College Try

The cast of Golden Palace boasted not only three sitcom heavyweights in Betty White, Rue McClanahan and Estelle Getty, but also comedy legend Cheech Marin, and future House of Lies star Don Cheadle as the hotel’s desk clerk, Roland Wilson.  And like the Girls before it, Palace also boasted some of today’s hottest comedy writing talents among its staff. 

But writer Mitchell Hurwitz, who would later create CBS’ sitcom The Ellen Show before finding fame with Arrested Development, remembers his colleagues’ unease with the Palace premise from the start.  “People really related to The Golden Girls.  The husband leaves, which was something a lot of women had gone through in that generation,” he notes.  But with Golden Palace, “now we were asking the audience to relate to having to run and manage a hotel, and clean the rooms yourself.  It was an interesting premise, which created a lot of opportunities for comedy, but it wasn’t what people came to The Golden Girls for.”

In the 2006 interview I conducted, via the Archive of American Television, with McClanahan, who died in 2010, she also remembered the difficulties in transferring her character Blanche to the new seaside setting.  “We gave it the good old college try, but [Golden Palace] wasn’t the right thing to do.  It took the center out of the characters as they had been established – particularly Blanche.  She had to become a businesswoman, and run a hotel.  How did she learn how to do that?  Where did that come from?  It required more out of the Blanche character than ever before, and I found it very hard to find the way to play it.”  Presenting the Girls without their popular fourth friend Dorothy, McClanahan recalled, “really was like walking without one shoe.”


AfterG*I*R*L*S

Premiering on September 18, 1992 as part of CBS’ new two-hour comedy block, Golden Palace won its 8 PM time slot for its first few weeks.  But soon, the entire night began to sink in the ratings.  For every rare case like Frasier, which would premiere the next fall and would last eleven seasons, there is an AfterM*A*S*H, or a Joey.  And Golden Palace would soon prove to belong to the latter category of sequel series.

“Golden Palace was ill-conceived from the start,” says another former writer, Marc Cherry, who went on to create CBS’ sitcoms The Five Mrs. Buchanans and Some of My Best Friends before his iconic Desperate Housewives (and now, Lifetime's eagerly anticipated new series Devious Maids.)  “Old ladies just don’t go around buying hotels.”

Still, Cherry says, “Golden Palace is no [tacky ‘80s syndicated sitcom] Small Wonder.  There are moments of the show that are actually quite good.”  One particularly touching episode, he agrees, featured Ned Beatty as Blanche’s heretofore unmentioned, mentally challenged brother.  In another, lifelong animal activist Betty White was able to highlight the sad plight of greyhounds discarded by Florida racetracks.  In a two-part episode, Arthur’s Dorothy returned to visit her old friends in their new setting, bringing with her an hour’s worth of that old Golden magic.  And throughout its 24-episode run, Golden Palace sported cameos from the biggest stars of yesteryear, like George Burns, Eddie Albert, Tim Conway and Harvey Korman, and gave early breaks not just to Cheadle, but other future comedy stars like Jack Black, Margaret Cho and Bill Engvall.

“With a little more time, I think we could have gotten [Golden Palace] to be very good – but we didn’t get there,” Witt remembers.  In the spring of 1993, Palace was cancelled after its freshman season,  along with the entire Friday comedy block.

Although Cherry says that he worried at the time that the sub-par Golden Palace would end up tarnishing the memory of its parent series, many fans have come to see the show as the Girls’ de facto eighth season.  Unlike Girls, Palace is not available on DVD – but it caused a sensation in the mid 2000’s when Lifetime briefly tacked its episodes onto the end of its regular Golden Girls run.

Marin, who went on to star in CBS’ shows Nash Bridges and Rob, remembers an additional Palace legacy.  Conscious of Miami as a rich ethnic and racial melting pot, the show’s producers had hired the Mexican-American actor to play the hotel’s Cuban chef Chuy Castillos; Marin says he used to refer to himself and Cheadle, surrounded by older white ladies, as “the Afro-Cuban section of the Lawrence Welk band.”

Marin says his greatest memory of Golden Palace was working with co-star Getty – but not in any moment that showed up on screen.  “She taught me to make a great matzoh ball, and boy, it just makes them nice and fluffy,” the 66-year-old actor remembers.  “I make great matzoh ball soup to this day, for which I’m eternally grateful – as are my children.”

Wednesday, June 16, 2010

Cleveland Rewrites Miami, and "Americain," History

This week, if you've tuned in to The View, or The Joy Behar Show, or The Daily Show with Jon Stewart, or... hell, if you've been conscious, you've probably seen one of the ladies of TVLand's promising new original sitcom, Hot In Cleveland, out on the talk show circuit.

The show, TVLand's first original comedy, has an impressive pedigree: it was created by Suzanne Martin, who once worked on Frasier, and executive produced by Sean Hayes, whom we all love from one of my favorite comedies ever, Will & Grace. And its cast hails from long-running shows we all have loved: Valerie Bertinelli from One Day at a Time, Wendie Malick from Dream On and Just Shoot Me, and Jane Leeves, also from Frasier.

But there are other, less obvious sitcom antecedents for Hot In Cleveland, which today received a quite positive review from the hard-to-impress New York Times. Think about it: four women "of a certain age," living together -- Betty White among them. Yes, although the ladies of Cleveland may at first seem younger than Betty, Bea Arthur, Rue McClanahan and Estelle Getty were in 1985, this just could be this generation's Golden Girls.

Fans have been asking for decades different versions of the question: why are there no comedies like The Golden Girls anymore? Why no comedies about older women? Why no decent network programming on a Saturday night? Why can't they just remake The Golden Girls? Hell, why can't the networks seem to launch very many quality comedies at all anymore? (It's telling that it's taking a cable network to take a chance with these 4 gals in their 40s and beyond.)

I've seen parts of the pilot episode, and the four Cleveland gals are sassy like the Girls -- and Betty is in as fine shape as ever. Yes, of course, they seem much younger and hotter than the Girls ever were -- and that's kind of the generational point. When The Golden Girls launched in 1985, its oldest actress, Betty, was 63, and its youngest, Rue, was not yet 51. And the show featured a character, Sophia, who was in her 80s, even if the actress playing her, Estelle, was in real life much younger.

Demographically, Hot in Cleveland isn't much different. Wendie will turn 60 this December. Its youngest star, Jane, is 49. (Valerie just turned 50.) And it also features a character in her 80s, this time played by a real-life 88-year-old dynamo, Betty.

I think that if Hot in Cleveland is a hit, some day academics will compare it to The Golden Girls, and talk about the shows together show "disenfranchised" women in two different generations. Back then, the Girls were considered old, and banded together to save on expenses, and to guarantee healthcare as they aged. The Hot in Cleveland girls are, in the pilot, women who struggle to stay young in competitive L.A., but by any other city's standard -- namely, Cleveland's -- are still beautiful and desirable. And so, when the four ladies have an emergency stopover in that Ohio city, instead of continuing on their Paris getaway, they decided to stay where they feel desired. Isn't that the 21st Century take on the same theme?

By the way, as long as I'm going on about antecedents, I think it's interesting to note that back in 1993, Valerie Bertinelli headlined another, now-forgotten sitcom, Cafe Americain -- in which her character Holly, also seemingly lost in life, heads for Paris. In that show, there was no airline stopover; Holly made it to Paris, worked in the titular expatriate cafe, and found a love interest in writer Marcel (Maurice Godin.)

So in my trivia-filled mind, I kind of consider Hot in Cleveland to be that show's sequel series, allowing Valerie to find love this time closer to home where we want her. (But Hot in Cleveland writers: I wouldn't mind a cameo from Sofia Milos as model Fabiana Borreli, or the fabulous Jodi Long as the deposed dictator's wife, Madame Ybarra. N'est-ce pas?)

Hot in Cleveland
debuts tonight, June 16
10 PM Eastern/Pacific
TV Land

Thursday, June 3, 2010

I Heart Betty, and Hot in Cleveland

2010 has been the year of Betty White. And now that we've lost her fellow Golden Girl Rue McClanahan, we need to show Betty the love more than ever. That's why I was glad to see a batch of new goodies available on Facebook, care of Betty's new TVLand sitcom Hot in Cleveland, which debuts on June 16.
Click here for your very own Betty button -- and a bunch of other Cleveland-related stuff!

RIP Rue McClanahan 1934-2010

This is too much. For those of us raised on TV in the '80s, it seems like our small screens are collapsing in on us. First in the past 2 years, we lose Golden Girls Estelle Getty and Bea Arthur. Then, a few months back, a shock when Designing Women's Dixie Carter passed away. Last week, there was Diff'rent Strokes' Gary Coleman, at only age 42. And today, I was so sad to hear about the passing of the beloved Rue McClanahan.

Back in 2006, I had the honor of interviewing Rue, Bea and Betty White in their respective homes, as I did research for my book The Q Guide to The Golden Girls. None of the ladies disappointed -- they were all as fun and vibrant as you'd ever hope -- and the days I spent with them have become fodder for some stories I've even told on stage as of late.

My interviews with Bea and Betty were audio only -- but with Rue, I lucked out, and was able to combine forces with the Archive of American Television. The result is an hours-long, up-close-and-personal portrait of the lady, covering everything from birth through her late career (off camera, Rue hinted that she was talking about doing a new series, which ended up being Del Shores' wonderful Sordid Lives.)

Here's the link to Part 1 of Rue's interview. I just rewatched it, and was struck all over again how charming and funny she was. We'll always love you, Rue!


Monday, May 3, 2010

Betty Does Today

This morning, Betty White appeared on The Today Show, talking with Meredith Vieira about her upcoming hosting gig on SNL this weekend. Check out the clip below -- and the use of "Betty White Lines" audio in Meredith's intro!

Visit msnbc.com for breaking news, world news, and news about the economy

Friday, March 12, 2010

Facebook Has Spoken

Proving the power of grassroots fandom on the internet, Saturday Night Live has acquiesced to the nearly half million fans who joined a certain Facebook group (although Lorne Michaels tells the New York Times the booking isn't a result of that), and booked 88-year-old Betty White to become the oldest host in the show's 35-year history. (Previous record holder: Ruth Gordon, who hosted in January, 1977 at age 80.)

Of course, this is a show whose announcer, Don Pardo, is 92 and still going strong. And, as Pardo pointed out when I saw him in L.A. in January at the Academy of Television Arts & Sciences' Hall of Fame Induction ceremony, the show still employs two wardrobe women even older than he, still working in their late 90s.

Betty has been a TV star since they plugged in the first cameras back in the late '40s, and went on to create iconic characters in The Mary Tyler Moore Show's Sue Ann Nivens and The Golden Girls' Rose Nylund. But this will be her first appearance on the NBC late-night comedy staple (although published reports state that Betty says she's turned down Lorne Michaels' offer to host 3 times in the past.)

So far, 2010 has been an amazing year in Betty's ever-growing career; there was her much-loved Super Bowl ad for Snickers, her lifetime achievement recognition at the SAG Awards, and now this. Of course, Betty, and The Golden Girls, remain as popular as ever among new generations of young viewers, as Sharyn Jackson proved this past weekend with her Golden Girls party at New York gay bar The Stonewall Inn, packed with young straight girls cheering at clips of the show.

It's perfect timing for SNL, catching Betty while she's hot, and in time for Mother's Day to boot. The appearance will also feature the return of some of our favorite funny ladies from the show's past, including Maya Rudolph, Amy Poehler, Molly Shannon, Rachel Dratch, Tina Fey and Ana Gasteyer. And you can bet there'll be a Golden Girls sketch. My vote: Gasteyer as Dorothy, Dratch as Sophia, Poehler as Blanche, and the one and only Betty White reprising the beloved role of Rose.

Friday, February 19, 2010

Live From New York, it's... Rose Nylund!

For the more than 400,000 of you (and counting!) who have joined the Facebook charge to get Betty White as host of Saturday Night Live, I present this Golden Girls clip from 17 years ago, during the show's seventh and final season.

As Rose lies in the hospital, under sedation after suffering a heart attack, she has some surprising words for her daughter Kiersten at about the 1 minute mark. Take note, Lorne Michaels -- because there are at least half a million people out there who hope to hear them again soon.

Monday, February 8, 2010

That's Not What Your Girlfriend Says!

The greatest thing about this past weekend: the debut of the new Snickers commercial starring the 88-years-young Betty White. I won't give it away, but there's a surprise appearance at the end by another elder TV veteran that's equally hysterical.

With commercials like these, it almost makes it worth watching whatever sports thingy -- something with Roman numerals -- during which this aired yesterday. Almost. (Thank God for YouTube!)

Tuesday, February 2, 2010

Forget the Saints and the Colts -- I'm for Team Betty!

I've always said that, even now at age 88, Betty White is still an energetic force of nature who can do anything. And that includes taking to the field for a game of touch (hopefully just touch!) football. Check out this sneak peek of her hilarious Super Bowl ads for Snickers, debuting this weekend during the game:

Friday, September 19, 2008

In Honor of The Emmys

In honor of the 60th Annual Emmy Awards Telecast, which airs Sunday at 8 PM on ABC, I thought I'd drag out a fun clip from the archive -- The Archive of American Television, to be exact -- of a true TV pioneer.

After having grown up in Illinois and then LA, Betty White got her start in local TV, and was quite literally in front of the camera when they first turned it on in the 1940s. She won her first Emmy for her 1952 sitcom Life With Elizabeth, and in a vintage '70s clip in the video below, wins her second 22 years later for her role as the Happy Homemaker/Neighborhood Nymphomaniac Sue Ann Nivens on the Mary Tyler Moore Show. (She would go on to win two more -- one for playing Rose Nylund The Golden Girls, and another for playing herself playing Rose Nylund on an episode of The John Larroquette Show.) My favorite part? How Betty refers to Zsa Zsa Gabor chummily as "Zsazh." Is Hollywood a small town or what?


Emmy Archive: Betty White
Emmy Archive: Betty White




The 60th Annual Emmy Awards
Sunday, September 21
8 PM Eastern
ABC

Friday, August 1, 2008

Estelle Getty: In the Words of Her Friends


A
s I found out in researching The Q Guide to The Golden Girls, Estelle Getty was universally beloved on that sitcom's set. And so, I thought it would be fitting to comb through my files and put together a tribute from her former friends, co-workers and peers; here, in their own words, are some memories of Estelle, from those who knew and loved her best.


Estelle used to tell a story about the 1970s, when I had a theater production office in the old Victoria Theater building in New York, and she was a secretary on Long Island. I used to have all these open casting calls, and Estelle would come to every one of them, on her lunch hour. She sure did pound the pavement, being a very determined lady. It wasn’t that she didn’t work, but she wasn’t in the big time until Harvey Fierstein came up with that character for her in Torch Song Trilogy which both broke your heart and made you laugh your ass off. And I couldn’t have been happier for Estelle. I’m so glad that she found her glory in her own time.

- John Bowab, a TV director (though not of The Golden Girls) and friend of Estelle’s


[When The Golden Girls was casting], we had quite a few shows on the air, and were covering many responsibilities. So one day, I was handling casting because Paul [Witt] and [Golden Girls creator] Susan [Harris] were busy. Estelle walked through the door, and it was frightening. You don’t expect to hear the dialogue jump off the page that way, but I realized oh my God, this is everything we wanted. Obviously I wanted Estelle in for a callback, but when she was due to come in, I couldn’t be there. I told Jay Sandrich, Paul and Susan, “If you don’t like her, have her do it again. Trust me – don’t let her out of the room until you’re satisfied, because she’s the one!”

- Tony Thomas, producer


On The Golden Girls, we had an amazing casting director who’s no longer with us, Judith Weiner. And the very first person she brought in for the show was Estelle, who was playing Harvey Fierstein’s mother in Torch Song Trilogy here in L.A. And of course she was way too young for the part of Sophia Petrillo. But when we saw her, we knew we could put a wig on her, and she was just great. Judith insisted that we couldn’t just pick the first person we saw, and so we did see other women for that part, but [all along] we knew. It was Estelle’s first sitcom, but she knew just what to do, and I didn’t have to give her any more direction than the others. As a stage actor, she knew just how to get a laugh.

- Jay Sandrich, director of The Golden Girls pilot



I’m 5 foot 9 and a half inches in my stocking feet. And [we were just meeting each other for the first time when] this sweet little thing walked in. It ended up being that Estelle and I formed one of, I think, the great comic duos of all time. It was such an amazing mother/daughter relationship, with love and hate. It was one of those lucky things, a combination of brilliant writing, brilliant acting and brilliant direction.

- Bea Arthur, co-star



[When we started The Golden Girls], Estelle was the new kid on the block. And of course we all fell in love with her immediately. She was so perfect for Sophia. [As she became ill in later years], she missed so much, and it’s such a shame. Even in the beginning, she missed getting a lot of the attention because she was in her old lady makeup. So the other three of us would all get people coming up and saying, “I love your show!”, but they’d see Estelle and wouldn’t know that that was Sophia. But of course, the minute she opened her mouth they would.

- Betty White, co-star


[Although Estelle had auditioned from the beginning], Estelle and I were the last two added to the cast. And she was absolutely hilarious. We gravitated toward one another because we were the two lesser knowns. At first, she was very insecure, and was certain she was going to be fired. She said, “If it’s between you and me, Chuck, you’re obviously staying. I’m gone.” I didn’t have these worries, because rehearsals were going so well.

When we taped the pilot for The Golden Girls, all the other women, who are of course such pros, got their laughs. Especially Bea, because they played to her strength in doing her “slow burn,” a look that takes four or five seconds of silence and just builds in laughter. They were all on the money. But then when Estelle would come on, the audience wouldn’t know what to make of such a character, and so they fell in love with her. She’d open her mouth and bring down the house. She ended up sandbagging everybody. With absolutely perfect comic timing, the woman couldn’t miss, and everybody saw it. They weren’t saying, “Did you see what Estelle did,” but rather, “Oh my God, Estelle is stealing this show out from under three real comic pros.”

- Charles Levin, who played gay houseboy Coco in The Golden Girls pilot before his character was eliminated




When The Golden Girls first started, I complained that there were quite a few publicity photos that Estelle wasn’t in. And at first, I was told in no uncertain terms that Estelle was not a Golden Girl -- Estelle was a mother of a Golden Girl. Well, a couple of months later, the audience decided differently.

In the first year or two of the show, if you went to the studio, you would see Betty’s and Bea’s Mercedes, and I think Rue [had a fancy car]– and Estelle’s Toyota. She never thought of herself as a big star. Her friends would always tell her to get a new car, and finally she did. She rented an apartment in Hollywood for years and years, and still kept her place back home in Queens. She never became part of Hollywood in “that way,” which was adorable. She would say that because her success had come late in life, if it should all go away, she’d be fine. She was incredibly healthy, in not being swept up in it all. She always remained true to who she was – including her love of bargain shopping.

On many occasions, like when the Golden Girls got to meet the Queen [at a Command Performance], she was really somewhat in awe, because she always did think of herself as this girl from the Lower East Side – that feeling never left her. And she’d always say that she had the most wonderful job in the world, because whenever people saw her, all they wanted to do was come up and hug her. And how many people get to go through life like that?

- Juliet Green, Estelle's former manager



I did not know Estelle prior to appearing on The Golden Girls, but when I met her, I just instantly loved her. She was the cutest lady, and was really funny. She always pretended she couldn’t do something, and then Bea Arthur would say behind her back, “She can do that. You know she can do that.” She was a gutsy little lady.

- Betty Garrett, guest star


When you walk on to any set where people have been together for a long time, they all already have a certain closeness, and it can be intimidating. But I knew Estelle already from New York, and she welcomed me warmly. We would huddle a lot together off in the corner and joke, and worry about our lines. We called it “a panic in the corner.”

- Dena Dietrich, guest star (as Sophia's daughter Gloria)


Estelle was the first one of the Girls [my former writing partner] Jamie Wooten and I talked to. When I introduced her to Jamie, she said, “You’re well known for something?” And I said, “No, I think you are thinking of James Wooten who is a correspondent for ABC news.” She got this embarrassed look on her face. I realized she was just a sweet, grandmotherly lady, and I just fell in love with her. She was the first one I became close to.

The thing that was brilliant about Estelle was her sense with one-liners. When the audience knows the character is going to say something funny, you try to get through the entire punch line before they start clapping. Well Estelle would motor through those jokes. She would spit them out, and it was brilliant. You could teach a lesson in comedy diction with how Estelle would approach those one-liners. To this day, I think that, more than any of the other women, her one-liner delivery was magnificent.

- Marc Cherry, writer and later creator of Desperate Housewives


Estelle used to talk pretty openly about how she was paralyzed with stage fright. It was horrible for her. What should have been the most joyful experience for her could sometimes instead be just crippling. Of course, even when she was out of her body with fear and didn’t seem to know what she was saying, she would nail the joke. It was the weirdest, chemical thing.

In one episode, Julio Iglesias was making an appearance, where he was supposed to come in at the tag and serenade Sophia. But when he arrived he said he didn’t want to sing. I was concerned that [producers] Paul [Witt] and Tony [Thomas] would be upset because we hired Julio and he didn’t want to sing. But Estelle bailed me out. She said, “Honey, I’ll take care of it.” She was so compassionate for someone feeling apprehensive about doing something that she was able to take care of him in that moment. She took his arm, and instead sang to him – and that’s the way you see it in the episode.

- Nina Wass, producer



Estelle was just funny, Jewish New York funny. She kept saying jokingly, “Can’t we make these characters Jewish?” She would have felt so much more comfortable than trying to be Italian, although clearly it worked! I kept in touch with Estelle for as long as she could stay in touch, as long as she knew who I was. I got a huge kick out of her always. Estelle had been an off-off-off-off-Broadway girl while she was raising a family, and she told very funny stories about New York.

- Rue McClanahan, co-star



If you are an actress in this business you learn to appreciate the gay guys. [As a gay male writing team], we didn’t lie, we just didn’t bring up that aspect of our lives. But Estelle recognized us immediately. She came up to us and asked, “Are you guys gay?” We said, “How did you know?!” She told us, “You are coming out to dinner, you are going to have fun with me, and I will introduce you to a lot of people.” And so we became very close. She was such a sweetheart, and we admired her because from early on she was an AIDS fundraiser.

- Stan Zimmerman and James Berg, writers and creators of Lifetime's upcoming sitcom Rita Rocks


Estelle was an incredibly funny lady. And the best thing was, she taught me to make great matzoh ball, and I so now I make great matzoh ball soup to this day. She said, “You don’t pack it like a snowball -- you just very loosely drop it in.” And boy, it just makes them nice and fluffy. It’s advice for which I’m eternally grateful, as are my children.

- Cheech Marin, co-star on sequel series Golden Palace