Showing posts with label NBC. Show all posts
Showing posts with label NBC. Show all posts

Sunday, March 18, 2018

Will & Grace Renewed -- Again

At PaleyFest at the Dolby Theater in Hollywood:
l-r, moderator Dan Bucatinsky, NBC president Bob Greenblatt
Will & Grace director Jimmy Burrows, stars Sean Hayes,
Debra Messing, Eric McCormack and Megan Mullally,
co-creators Max Mutchnick and David Kohan.
As of tonight, it's official: Will & Grace is back for the long haul.

As the cast of the popular rebooted sitcom took the stage at Hollywood's Dolby Theater for a panel on night two of the annual PaleyFest, it was Megan Mullally who urged co-creator Max Mutchnick to announce the official news:  not only will W&G's rebooted season 2/overall season 10 be increased from a planned 13 to now 18 episodes, but NBC has already renewed the show for a third (or eleventh) season.

After a day on a photo shoot at the W Hotel in Hollywood, the cast assembled -- along with Eric McCormack, Debra Messing, Sean Hayes, plus Mutchnick, co-creator David Kohan and director/executive producer Jimmy Burrows -- at the Dolby for an interview conducted by Scandal actor, writer/producer and W&G super-fan Dan Bucatinsky, who recently reprised his character Neil, from the original series.

Below, NBC's official announcement of its pickup of the series for season 3:

‘WILL & GRACE’ EXTENDS ITS TRIUMPHANT RETURN WITH SEASON THREE PICK-UP

Additional Season Two Episodes Ordered as Critical Acclaim Builds for Original Cast and Production Team


UNIVERSAL CITY, Calif. – March 17, 2018 – “Will & Grace” is giving you more, honey!

The return of “Will & Grace,” which began as an Internet reunion that turned into a one-season order and then a two-season order before it even went back on the air last fall, has just been ordered for a third season to premiere in fall 2019. With its razor-sharp wit intact and all four Emmy Award-winning actors back at the top of their game, one of the best NBC Must See comedies will return for an 18-episode third season.

In addition, the network has increased the season two order, which will begin again next fall, from 13 to 18 episodes. The announcement was made by Robert Greenblatt, Chairman, NBC Entertainment.

“As far as I’m concerned, we can’t get enough of ‘Will & Grace’ and 23 more episodes is music to my ears,” Greenblatt said. “We’re eternally grateful that Debra, Eric, Sean and Megan feel the same way and wanted to keep this good thing going. I’m overwhelmed by the euphoric response the new show has received from the press and the audience, and my hat is off to the unrivaled writing team of Max Mutchnick and David Kohan, as well as the brilliant directing of Jimmy Burrows, for consistently delivering one of the best shows on television.”   

So far this season “Will & Grace” is averaging a 3.1 rating in adults 18-49 and 9.8 million viewers overall in “live plus seven day” figures from Nielsen Media Research. “Will & Grace” is NBC’s most-watched primetime comedy at this point in the season in eight years and has improved its Thursday timeslot by +48% versus NBC’s year-ago results for regular non-sports programming in 18-49.

“Will & Grace” has received critical acclaim since the show’s return in September.  “Watching it is like running into an old flame who looks fantastic and is as bright and fun as ever,” said The New York Times. Entertainment Weekly wrote that 
“‘Will & Grace’ has been just as incredible as the original series: hilarious, poignant, contemporary” while USA Today added, “Watching the foursome is like taking in a tango by professional dancers.” 

Season one has been highlighted by an array of top guest stars, including Jennifer Lopez, Alec Baldwin, Minnie Driver, Ben Platt, Molly Shannon, Jane Lynch, Andrew Rannells and more.

“Will & Grace” stars Eric McCormack, Debra Messing, Sean Hayes and Megan Mullally. Max Mutchnick and David Kohan, who co-created the series, write and executive produce. James Burrows directs and executive produces. “Will & Grace” is produced by Universal Television.

Wednesday, September 27, 2017

Keep the Will & Grace Party Going

Here's yet another thing that's changed in the eleven years since Will & Grace last aired in prime time:  the concept of the "after show" online.

NBC announced today that, on the morning following the Will & Grace revival's premiere tomorrow night (Thurs. Sept. 28 at 9PM Eastern/Pacific), another talent from within the NBC Universal family, E!'s Kristin Dos Santos, will host the Will & Grace After Party.  So this Friday morning, September 29, tune in to any of several of the company's platforms -- the NBC app, its YouTube channel, etc. -- to catch Kristin with fun tidbits from each episode, plus exclusives and surprise guests.

Details in NBC's press release below:


NBC LAUNCHES ULTIMATE FAN CELEBRATION WITH “WILL & GRACE AFTER PARTY” HOSTED BY E! NEWS EXECUTIVE EDITOR KRISTIN DOS SANTOS

Digital Exclusive After Show Available Across “Will & Grace” Social Channels, YouTube, NBC app, Hulu, E! Platforms and NBC’s Participating Owned and Affiliate Station Sites starting Friday, September 29

“Will & Grace” Fans Keep the Party Going Via Social and Mobile Chats with NBC’s Official Show GIF and Gaymoji Collections



Universal City, Ca, September 27, 2017 – The “Will & Grace” hysterics won’t end on Thursday nights! NBC is bringing the ultimate fan experience to life with the “Will & Grace After Party,” celebrating all of the reasons we love the iconic sitcom.

The after show will be available Friday mornings, the day after the broadcast airing, of the first six episodes of the season, and can be found across the NBC app, the “Will & Grace” social accounts, YouTube channel, E! platforms and NBC’s participating owned and affiliate station sites starting September 29.

Set in a New York-style bar, the “Will & Grace After Party” show combines  pop-culture maven Kristin Dos Santos (E! News Executive TV Editor) with “Will & Grace” superfans for a viewing party, games, trivia and exclusive behind-the-scenes material—not to mention surprise appearances from the show’s creative team and special celebrity guests. Over the course of the show's first six episodes, “After Party” will provide an all-encompassing fan-centric journey through current and past episodes of Will & Grace and its influence on pop-culture since its initial debut in 1998.  Burning questions will be covered like who had better boyfriends - Will or Grace? What were some of Jack's best and worst side hustles? How does Karen manage to drink so much and stay alive? The “After Party” will cover it all with a wink and a smile with real fans getting to be the stars of the show right up until last call.

“With the ‘Will & Grace After Party,’ we set out to create a true fan experience celebrating the return of one of the most iconic shows on television,” said Rob Hayes, Executive Vice President , Digital, NBC Entertainment. “Rather than just focusing on individual episodes, we’re going to dive into the series as a whole, discussing its place in pop-culture, and what it means to fans. I can’t think of a more appropriate promotional partner than E! News and Kristin Dos Santos as our host. She’s not only a TV expert, but a bonafide ‘Will & Grace’ fan."

“Will & Grace After Party” host and E! News Executive Editor, Kristin Dos Santos says of the project, "I'm truly honored to be a part of this very cool experience for fellow fans of ‘Will & Grace.’ It's going to be so much fun celebrating this iconic show that has meant so much to so many people."

Additionally, fans can keep the party going all week long with the official “Will & Grace” GIF  collection and liven up their group chats with the official show Gaymojis.

The hit comedy series “Will & Grace” features actors Debra Messing as Grace Adler, Megan Mullally as Karen Walker, Eric McCormack as Will Truman and Sean Hayes as Jack McFarland. The series follows best friends Will and Grace as they navigate living together, while they deal with their eccentric friends Karen and Jack. The show originally aired on NBC starting in 1998, with the season eight finale coming in 2006. “Will & Grace” rejoins the NBC lineup with all new episodes Thursday, September 28 at 9 PM. 

Tuesday, September 19, 2017

Saturday Night (Truly) Live

After a successful experiment late last season, airing Saturday Night Live truly live in all U.S. time zones for the first time ever, NBC has announced that the adjusted time slots are here to stay.

Starting with the season 43 opener on September 30 -- with host Ryan Gosling and musical guest Jay-Z -- each episode will air as always on the East Coast (live at 11:30 PM), and simultaneously in each of the other time zones -- meaning at 10:30 PM Central, 9:30 PM Mountain and 8:30 PM Pacific.  Then, to fill up the remainder of the Mountain and Pacific markets' Saturday nights, SNL will be repeated at 11:30.

For us on the West Coast, it means the chance to see the live version, warts and all.  So if something slips getting bleeped, now we'll all get to see, rather than just the lucky folks back East!

Below, the NBC press release from earlier today:


‘SATURDAY NIGHT LIVE’ IS STAYING LIVE FROM COAST TO COAST

NEW YORK — Sept. 19, 2017 — NBC’s Emmy Award-winning “Saturday Night Live” will once again air live simultaneously around the country beginning with the highly anticipated season 43 premiere on Sept. 30 with host Ryan Gosling and musical guest Jay-Z.

Each episode will air live at:
11:30 p.m. Eastern
10:30 p.m. Central
9:30 p.m. Mountain
8:30 p.m. Pacific

For the Mountain and Pacific time zones, “SNL” will be repeated at 11:30 p.m.

The live coast-to-coast airings that began in April grew 11% in “live plus same day” viewership versus what “SNL” was averaging earlier in the season (8.3 million vs. 7.5 million, according to Nielsen Media Research), indicating strong interest in the formerly tape-delayed markets to see the show live.

“Saturday Night Live” is produced in association with Broadway Video. The creator and executive producer is Lorne Michaels.

Thursday, August 3, 2017

Will & Grace already renewed -- but minus one key character

Los Angeles mayor Eric Garcetti proclaims
August 2, 2017 "Will & Grace Day"
at Universal Studios Hollywood.
l-r, NBC president Bob Greenblatt,
L.A. mayor Garcetti, W&G creators
Max Mutchnick and David Kohan,
stars Eric McCormack, Debra Messing,
Megan Mullally and Sean Hayes, and
director Jimmy Burrows.
Photo by Chris Haston/NBC
At today's panel for the revival of Will & Grace at the Television Critics of America (TCA) convention in Beverly Hills, things started with a bang -- the announcement that not only has the episode order for season 1 been increased to 16 (from the original 10, then 12), but the show has already been renewed for a second season.

Ever since the announcement of the revival -- and even before, with the debut of the #VoteHoney video that the cast members and producers made to get out the vote last fall -- Will & Grace has been drawing major buzz.  Yesterday, Los Angeles mayor Eric Garcetti attended the inauguration of the show's new stage 22 at Universal Studios, accompanied by the cast, fanfare and confetti.

The show's producers have stated that they intend to work around the original W&G series finale -- by pretending it didn't ever happen.  Other than that, they were mum on most details, including the returns of recurring characters, guest stars, etc.  Could Cher appear?  Maybe, but it's not set up yet.  Harry Connick, Jr.'s Leo, they confirmed, will be back. Leslie Jordan's Beverley Leslie?  Others?  Talks are ongoing.

But the one piece of bad news I received personally after the panel:  despite appearing in the VoteHoney video, Shelley Morrison has decided to retire, and will not be reprising her character of Rosario at all on the series.  "It's a Larry Bird type of retirement, not a Michael Jordan retirement," David said -- completely confusing fans like me, but I'm sure that analogy makes sense to straight fans out there.  :)  (I'm told it means that Shelley's retirement is complete, and she really can't be persuaded to return.)

Will & Grace's now 16-episode 1st season debuts on NBC on Thursday, September 28.

Monday, May 8, 2017

Alec Mapa joins hot NBC pilot "The Sackett Sisters"

Casey Wilson (l) and Busy Philipps
film a scene in the new NBC pilot
The Sackett Sisters
As we inch closer to NBC's Upfront presentation -- i.e., the network's revelation of its 2017-18 schedule, complete with renewals, cancellations and new series pickups -- one comedy pilot that's been garnering buzz as an almost sure thing is The Sackett Sisters, starring Busy Philipps, Casey Wilson and Bradley Whitford.

In the potential new series -- which sources say if picked up may be held for midseason, to accommodate Casey Wilson's pregnancy -- two estranged sisters perform a Sully Sullenberger-esque act of public heroism, then are forced to navigate their newfound notoriety together.

Alec Mapa
In one latest bit of Sackett casting, Alec Mapa has signed on to play the sisters' therapist, Josh.  The out gay actor has appeared on such fun shows as Desperate Housewives, Ugly Betty, Scream Queens, Mom and Jane the Virgin, and made history playing network TV's first gay Asian series regular role on the short-lived CBS sitcom Some of My Best Friends.  On the big screen, he was a scream in such films as Connie & Carla, and You Don't Mess with the Zohan.

NBC is already leading the pack with new series announcements, with its previous pickups of two new dramas, Rise and For God and Country.  On the comedy side, the network has the now 12-episode revival of Will & Grace -- which will need some comedy company.  Although multi-cam sitcoms like W&G generally work better with other multi-cams, the network has only one of those -- Relatively Happy, from W&G co-creator Max Mutchnick and Trial & Error co-creator Jeff Astrof -- among its pilots.  One of ABC's multi-cam pilots, Carol Burnett's Household Name, is produced by NBC Universal, so it could end up at the Peacock Network if ABC cuts it loose.

But regardless of format, NBC needs new comedy blood, and The Sackett Sisters -- which comes with an impressive pedigree, having been created by 30 Rock writer Luke del Tredici and executive produced by Tina Fey and Robert Carlock -- seems to be leading the pack as of this writing.  Stay tuned for more announcements from NBC, leading up to its big upfront morning of Monday, May 15.

Thursday, March 23, 2017

Lauren Ash and Nico Santos Talk Tonight's Superstore... and what they hope for the show's future

With Lauren Ash and Nico Santos
for NBC's "Summer Press Day"
Beverly Hilton hotel, Beverly Hills,
March 20, 2017
 This past Monday, NBC held a soiree in Beverly Hills to preview the network’s upcoming summer series.  Throughout the day, we critics saw clips of new shows like Midnight, Texas, and previews of upcoming seasons of The Wall, Hollywood Game Night and The Night Shift.  Then that night, the casts and producers of many of the shows mingled on the rooftop of the Beverly Hilton hotel.  And although I did talk a little about the new stuff coming up, I was most excited to see two stars of NBC’s hilarious comedy Superstore.

Tonight, we get to see an important episode of this second season, as Mateo (Nico Santos) deals with the repercussions of the revelation of his relationship with Jeff (Michael Bunin) – which includes being forced to transfer to a different store.  The episode, titled “Mateo’s Last Day,” is also notable in that it was directed by that series’ multi-faceted star, America Ferrera.

I spoke with Santos and with Lauren Ash – aka Dina, although in her glam blue hostess-pant outfit, you’d never see the resemblance – about tonight’s episode, the future of Superstore in season three, and what they’d like to see happen for their characters.


Must-Hear TV:  How does life at Cloud 9 change now that Dina and Mateo’s secrets are out?

Nico Santos:  We’re out of the closet now!  As you saw from the end of the last episode, Mateo has to transfer stores for the romance to work.  So this next episode – which America directed, and is a lot of fun – is titled “Mateo’s Last Day.”  To what capacity, the audience will just have to wait and see.  But there’s a lot of drama that happens with his undocumented status, and with Jeff, there’s some drama. 


MHTV:  I’ve been fooled by the show before, like with the walkout at the end of season 1.

NS:  Well if you thought the season 1 finale with the walkout was crazy…

Lauren Ash:  …You’ll have to wait for the season 2 finale.  Which we can’t give details about, but…

NS:  …It makes the season 1 finale look weak!

The cast of NBC's Thursday night comedy
Superstore
LA:  What I will say is I don’t know how they’re going to get us out of it, and I don’t know that they know how they’re going to get us out of it.  Which is amazing.


MHTV:  I wrote a book about Will  Grace, and those writers used to say that every season they deliberately painted themselves into a corner with the finale, because the fun was figuring your way out.

LA:  Absolutely.  That was also Dexter.  That constantly happened at the end of seasons of that show, where it was like, “Now what?!”  Not that we’re a murdering type show, but…  Who knows!


MHTV:  Would you think it was unusual if you found out Dina had a closet full of bodies?

LA:  I feel like she’s too much of a rule follower to actually commit a murder, but….

NS:  Mateo would totally have bodies. 

LA:  Yeah, he would bury a body for sure.  But there’s great stuff coming up.  Obviously the Dina/Garrett storyline is so much fun.  Yes, they know that they are sleeping together, and that they like sleeping together – but they also hate each other.  So it’s pretty fun.  I think it’s a great metaphor for modern romance and dating, in the app world that we live in, where people date a bunch of people at the same time.  It’s kind of a different world than it was even like 10 years ago.  So there’s some really fun stuff coming.  And the other thing we can tease is that this season’s second-to-last episode does not set foot in the store.  That’s a first.  Because we’ve seen us outside the store, but we’ve never had an episode that’s completely out of the store.  Fans are going to go crazy.


MHTV:  Is it set at some kind of retreat?

NS:  We’ve said too much!


MHTV:  How does Dina and Garrett’s relationship change now that everyone knows?  And how does it change life in the store?

LA:  It’s somewhat business as usual, but now that the other characters know, their awkwardness is a fun thing.  We explore that [tonight’s] episode for sure.  How does this define them in the workplace?  Because they’re not in a relationship, they’re not married, they’re not engaged, they’re into even dating – in fact they hate each other.  But they do have this existing connection which has to be acknowledged.  But how do you acknowledge it?  There’s really fun play with the human resources aspect of what that would look like.


MHTV:  Yes!  If Mateo has to leave because of Jeff, then…

LA:  Exactly.  So what does that mean?  And Mateo and Jeff is a real relationship, but we don’t know what this is [with Dina and Garrett.]


MHTV:  But this is almost worse, because it could go wrong in so many different ways.

LA:  That’s right!  And the other great thing about tonight’s episode is that America directed it, which I don’t feel is getting enough press.  I think that should be out there more!  Because she did a fucking killer job!  She was great!  It was amazing.  No one knows the show better than us, and so what a gift, to have somebody who knows and has been there literally from day one be your director! 


MHTV:  Comparing the show to The Office, I think it’s pretty clear that Dina is very similar to Dwight, the weird rule followers.  Would you say that, Lauren?  And Nico, who would be Mateo’s Office counterpart?

LA:  I have to admit something, and I don’t normally do this because I feel bad about it, but I actually didn’t watch The Office.


MHTV:  You were in Canada!

LA:  But I did watch the British Office, that’s the thing.  So people often bring up “you’re the female Dwight.”  And I love the comparison, because I know he was a beloved character and he’s so funny.  But any similarities were not deliberate.  I don’t really have a frame of reference for him.


MHTV:  I would think some of it comes from the writing.

LA:  I think some of it is, certainly.  But I think ultimately, we all know somebody like that.  There’s always somebody in our lives who is that stick-in-the-mud, for lack of a more modern term.  So there’s something relatable about that archetype.  I think some people think I’m doing an impression of him, which is not the case.  I wouldn’t even know where to begin.  But any comparisons to that show are amazing.  That show was so successful and had so much heart, and people loved it.  So that’s a great statement.

NS:  I’m also not that familiar with a lot of characters from the Office.  But in season 1 of our show, people were asking, “Is Mateo like a Dwight-esque character as well?”  And I don’t think so.


MHTV:  I don’t know who he would be.

NS:  He’s Pam!


MHTV:  I was thinking maybe Angela.  They were both uptight, but had a romantic side.

NS:  Okay, I’ll take that!


MHTV:  Angela also dated a gay man!

LA:  But Parks & Rec I think is another comparison you can make.  A show which I loved.  And again, there’s Ron Swanson.  He isn’t necessarily like Dina or Dwight, but is.  It’s still that kind of character.  The really strong, confident, bold type.


MHTV:  But completely out of touch.

NS:  That’s the thing about our show.  You watch it, and you see somebody like Dina and somebody like Mateo or Garrett, and you realize, “Oh, I’ve worked with them before!”  We all play somebody who people have worked with before.


MHTV:  Why is everybody so mean to poor Sandra?

LA:  For the most part, it’s Dina being mean to Sandra.  People often ask me why, and my answer is always to say that I think Dina just smells weakness.  If Sandra were super-confident, Dina wouldn’t mess with her.  But because there’s a vulnerability there, she doesn’t respect her.

NS:  It’s so crazy, because Kaliko Kauahi, who plays Sandra, is so not her character.  She’s amazing.  She’s from the islands, very low-key.  She’s got a very laid-back, Hawaiian attitude.  So it’s so funny to see her portray Sandra, and people expect her to be that meek person, but she’s not.

LA:  She’s so sweet, too.  I feel bad screaming in her face.


MHTVSuperstore did something great, which was adding more secondary characters over time as they proved themselves popular.  Was that the case with Sandra, and Marcus the warehouse guy, and Myrtle?

NS:  Somebody like  Johnnny Pemberton who plays Bo, Kaliko as Sandra, Jon Barinholtz as Marcus – these three actors have really added so much to our show.  From the moment they were on the show for their first appearances, they meshed well.  I’m excited for them to get more into the show, and for other additions in the near future.

LA:  Because the reality of those stores is that people come and go like crazy.  You have some people who have been there for 30 years, and some who have been there for 3 weeks.  And there’s a lot of turnover.  So it’s great, because it opens up the writers to trying different people and characters.  Certainly, a character like Sandra, the audience responded to right away.  So it would have been silly for them not to pursue that.  And she’s become a huge storyline this season.


MHTV:  Lauren, has any of your real-life experiences at [Canadian retailer] Zellers been pitched as storylines?

LA:  So many have been pitched…


MHTV:  Has any landed?

LA:  No!  They love them but they haven’t done any of them yet.  So I’ve got to keep pushing.  There are some good ones that I feel like we’ll get into the show for sure eventually.


MHTV:  What do you hope happens in season 3 for each of your characters?

NS:  I really hope that we get to meet some members of Mateo’s family.  We almost never see a Filipino family on television.  Crazy Ex-Girlfriend is the first time.  And just like with any other family, Filipinos are just kind of crazy.  So I would love for our audiences to be introduced to them.


MHTV:  Who do you want your parents to be?

NS:  America is actually really trying to pitch me portraying my own mom!  Which I would do!

LA:  Nico Santos, Nico Santos and Nico Santos!

NS:  We’ll do a Nutty Professor thing.  I would love it!


MHTV:   How about for Dina?  What would you like us to see in season 3?

LA:  Dina’s birds!  This is the thing that the fans are crying out to see on social media.  And I have been pushing to Justin, so we’ll see.  We’ve talked about them so much, and what is it they say – “if you’re going to pull out a gun, you have to use it”?  So I think we have to see the birds.


MHTV:  What do you think Dina’s birds have been trained to say?

LA:  They pledge allegiance to the flag.  I think she runs them through military drills.  I just think it would be such a gift to see that.  There have been people on twitter who have also been pitching that Camryn Manheim should play my mother on the show, and that’s actually awesome!  Not that I’m suggesting that she looks old enough to be my mother at all, but I think she’s amazing.


MHTV:  She’d be a young mother, which would explain a lot about Dina’s upbringing.

LA:  Exactly!  And I think it would be great to see Dina’s mother, somebody in Dina’s family who makes Dina look like Sandra.  I would like to see the person in Dina’s life who makes her shut down, whoever that may be.  Someone from her past.  And, the other thing that I’ve forgotten to say earlier:  America and I are pushing so hard that Dina and Amy knew each other in high school, and we want to see a flashback.  This is our dream.  We have been pushing this with [executive producer] Justin [Spitzer], and he keeps giggling and saying “okay…”  But I love the idea that they went to high school together!  My opinion has always been that Dina would consider Amy to be her best friend, even though there’s no basis for that.  We never see each other after work.


MHTV:  I can’t imagine Dina has a lot of female friends.

LA:  She has no friends!  But in her mind, she thinks Amy is her best friend.  Which I always improv into different things, “Well, she’s my best friend, so…”  So I’d love to see what that dynamic was.


Monday, January 30, 2017

Me of Little Faith; The Good Place scores a season 2

Ted Danson and Kristen Bell in
NBC's The Good Place
I have a confession to make.  When I first heard, about a year ago, that NBC had picked up, straight to series, the high-concept, heaven-set comedy The Good Place, I thought the show would turn out to be too smart for broadcast TV.

I underestimated viewers -- after all, the majority of us who voted did not vote for Trump -- and thought the show's serialized storyline and its dabbling with philosophy and theology would be a turn-off to the NBC crowd.

And then later, in watching the show, I also thought I was picking up on inconsistencies in its writing.  For instance, if Eleanor (Kristen Bell) doesn't get credit for good deeds done for a selfish reason -- i.e., to stay in the Good Place -- then why is Tahani (Jameela Jamil) there?  After all, we've seen how she was driven to her good deeds on earth not by a sense of altruism but by a need to outshine her sister.

I was wrong. On all counts.  Mea maxima culpa.

I certainly should have had more faith in The Good Place creator Mike Schur, who entertained us for years as a writer for The Office -- and even on-screen, as Dwight's idiot brother Mose -- and as the creator of the brilliant Parks & Recreation and co-creator of the equally hilarious Brooklyn Nine-Nine.  I should have realized that here, the Creator had a master plan.

Now, not only has the show scored decent ratings (see below) among well-heeled viewers, but it's scored something even harder to get these days:  buzz.  And, thanks to that buzz, and positive critical reviews, the show has earned what really counts in network TV:  a second-season renewal.

In a press release beginning with "Free yogurt for everyone!" NBC announced its pickup this morning of a second, 13-episode of the series -- which, for those of us who saw the season 1 finale with its shocking and brilliant twist, we're dying to see.  For those who like numbers with their comedy, here are the ratings NBC cited in its renewal decision:

In its rookie season, “The Good Place” has averaged a 1.9 rating in adults 18-49 and 6.1 million viewers overall in “live plus seven day” figures from Nielsen Media Research, improving the timeslot by +36% over NBC’s Thursday 8:30 average last season. The show’s Jan. 19 season finale delivered 5.2 million viewers after three days of time-shifted and video-on-demand viewing, for the show’s biggest L+3 audience since Oct. 27.

“The Good Place” has also generated a strong upscale audience, indexing at a 135 among adults 18-49 living in homes with $100K+ incomes (with 100 representing an average concentration of those homes).

The announcement does not specify if The Good Place's season two will debut in the fall or if its relatively short run will begin sometime later in the 2017-18 season.  (And I hope it's not a case of Heaven Can Wait.  That, of course, would be bullshirt!)

Wednesday, January 18, 2017

It's Official -- Will & Grace is back!!

l-r, Sean Hayes, Megan Mullally,
Eric McCormack and Debra Messing in
Will & Grace
This morning at the TCA press tour, NBC started off with an announcement they knew we'd love:  the brilliant 1998-2006 sitcom Will & Grace is coming back in the 2017-18 season, as a 10-episode limited series.

When Will & Grace premiered in 1998, it was only the second network show to feature an out gay leading character -- and that was after Ellen DeGeneres' Ellen Morgan character had come out only in the latter seasons of her eponymous show, in 1997.  Will & Grace went on not only to win 18 Emmys for its writing and all four of its principal cast members, but inspired a generation of men and women, including me, in their coming-out journeys.

In 2004, I was lucky to get the assignment to write Will & Grace: Fabulously Uncensored, a behind-the-scenes coffee table book about the show.  Getting to hang out with that fab foursome -- Eric McCormack, Debra Messing, Sean Hayes and Megan Mullally -- plus the show's creators Max Mutchnick and David Kohan and its amazing writers and crew -- was truly like going to fantasy camp.

Now, a whole new generation will get the same inspiration I did all those years ago.  And after all, there's plenty to talk about in 2017.  In fact, the whole revival talks began when the W&G cast and creators released their video, "Vote, Honey" this past fall, urging Americans to get out and vote.  That itself had been a feat of serendipity, because the set for Will Truman's apartment still existed intact, thanks to the preservation work of Mutchnick's alma mater Emerson College.   The "Vote, Honey" viral video proved so popular, it launched NBC into talks with Mutchnick, Kohan and the cast about the revival.

As Mutchnick notes, "Dave and I are absolutely thrilled about the opportunity to write what Will, Grace, Jack and Karen are thinking about in 2017."

Friday, October 28, 2016

A Big Day and Night for the Cast of Will & Grace

L-r, Eric McCormack, Debra Messing, Megan Mullally
and Sean Hayes perform at a fundraiser for Hillary Clinton
at the home of  Michael Lombardo and Sonny Ward in L.A.
Yesterday, more than ten years after Will & Grace aired its series finale, turned out to be a big day for the beloved cast.

For one thing, news broke early in the day that NBC is interested in reviving the show, reportedly for a ten-episode season, which would effectively be the show's ninth.  And then last night, the cast was already scheduled to reunite for a special fundraiser for the Hillary Clinton campaign, held at the Los Angeles home of former HBO president Michael Lombardo and his husband, Sonny Ward.

Just before their surprise for the fans in attendance -- a musical performance about Clinton and Trump to the tune of West Side Story's "Gee, Officer Krupke"-- I asked Eric McCormack, Debra Messing, Sean Hayes and Megan Mullally about the reports of a revival.  "We have no idea what's going on with that stuff," Megan said -- and indeed each cast member agreed, the project is in such early talks, the cast is unaware of the chances of the revival actually happening.  (Fingers crossed!)

Perhaps this is finally one good thing that has arisen from the vicious election cycle we've been subjected to for the past year (other than the possible fragmenting of the Republican Party, and its hopeful reorganization into something more inclusive and excluding the hateful alt-right.)  The renewed ardor for the groundbreaking and influential 1998-2006 sitcom comes after the cast reunited in secret last month, to tape a special ten-minute episode in character [see clip below], where they debated the virtues of the two candidates.  The project was filmed hush-hush, and incredibly, on the exact Will Truman living room set used by the series; it had been in storage at the show co-creator Max Mutchnick's alma mater, Emerson College, in Boston, and was shipped back to LA in time for the taping.




Below, a clip from the 1961 film version of West Side Story.  Picture brilliant spoof lyrics -- which today on Twitter Eric McCormack attributed to Randy Rainbow -- about Trump and Clinton.  One chorus became just "little hands, little hands, he has little hands...", so it's designed perfectly to get under Trump's skin.  And of course, the number ends not with "Officer Krupke, Krup You!" but "Hillary Clinton, we're with you!"



After the performance, Debra Messing spoke eloquently to the crowd about how she's so passionate about the Clinton campaign that she took a few months off from acting to concentrate on her activism.  And then, the four actors stepped down into the crowd, obliging us fans with photos.  Let's hope this is far from the last time we see them all together!  NBC, make it so!

Wednesday, September 14, 2016

Happy Anniversary, Golden Girls!

Bea Arthur, Estelle Getty, Betty White and Rue McClanahan
in the Girls' kitchen -- which had been recycled from a failed
ABC sitcom a year earlier, Richard Crenna and Patty Duke's
It Takes Two.  Problem is, as newly reconfigured, it had no
oven. 
It was thirty-one years ago tonight, on September 14, 1985, that four older ladies called "The Golden Girls" first came into our living rooms.

If you were like me, a teenager in the pre-Internet era who diligently followed all buzz about the new fall season as doled out in the entertainment press, you knew this new show was going to be something special.  After all, it hailed from Susan Harris, the brilliant creator of Soap, and starred TV icons Bea Arthur, Betty White and Rue McClanahan.  And yet, the buzz also said, this newcomer Estelle Getty just might steal the show.

As I've said many times in promoting my book Golden Girls Forever, The Golden Girls was just as unlikely a network product back then as it would be now -- in fact, maybe even more so.  After all, advertisers were then, too, chasing a younger age demographic -- and why, conventional wisdom would say, would those young viewers want to watch four old ladies in Miami?

Before even Susan Harris' involvement, it had been the foresight of NBC head Brandon Tartikoff that had brought these Girls to life (even if the network honchos were afraid, deferring to political correctness, of calling these four ladies "Girls" until Susan Harris reassured them).  Tartikoff had been gestating the idea for a while, having watched the movie How to Marry a Millionaire with his nieces, and having observed the interplay among his crotchety elder relatives in Florida.  So when, at an otherwise boring NBC fall preview event, Night Court's Selma Diamond and Remington Steele's Doris Roberts enlivened the proceedings with their scripted shtik mistaking the title of network's big hope Miami Vice for "Miami Nice," Tartikoff realized the idea was worth pursuing.

It's only through the miracles of great writing and great casting that the fleshed-out concept made it not just to the national airwaves, but into the pop culture pantheon, celebrated as it is more than three decades later.  At 63, Betty White was the eldest of the four women (older by only four months than Bea Arthur, though); today at 94 she's still a national treasure and inspiration.

And so I was honored to get the chance to sit with Betty, as well as Bea and Rue, in their living rooms, and hear their stories about their experiences on the show firsthand.  In all, over 250 guest stars, writers, producers and crew members were happy to share their memories -- and in some cases, rare artifacts -- with me for the book, eager to ensure that such a rare show should enjoy the legacy it deserves.  So to Susan Harris, to Betty, and to the three other Golden ladies we've lost but will never forget, I'd like to take the occasion of this 31st anniversary again to say thank you for the years and years of not just laughs but thought-provoking takes on issues that still concern us.  And above all else, of course, Thank You For Being a Friend!

Thursday, February 25, 2016

Blanche's Granddaughter Finally Belts Out that Number

In a 1991 episode of The Golden Girls, Alisan Porter -- who, at age 10, already had a rising career after appearing in the 1989 film Parenthood and as the title character of 1991's Curly Sue -- guest starred as Blanche's granddaughter Melissa, whose visit was marred by the pushiness of a stage grandmother who forced her to compete in the Little Miss Miami pageant.



When it came time for her big number, little Melissa froze, completely unable to launch into "Put on a Happy Face."  But now grown up at 34, Alisan has absolutely no problem with "Blue Bayou," Roy Orbison's 1963 hit, which Linda Ronstadt recorded again in 1977.

Check out Alisan's "Blind Audition" performance on the season 10 premiere episode of NBC's megahit The Voice, airing this coming Monday, February 29 at 8PM Eastern.  When they hear a voice this amazing, all four judges -- Blake Shelton, Christina Aguilera, Pharrell Williams and Adam Levine -- are bound to turn their chairs around.  I won't reveal which coach Alisan ultimately chooses.  But let's just say that Alisan's story, of childhood stardom, a journey through addiction, and now a happy life as a wife and mother, has many wonderful chapters to come.

Monday, November 30, 2015

Check Out Superstore

America Ferrera debuts tonight in Superstore,
10 PM Eastern/Pacific on NBC
Although it's not set to continue the rest of its 11-episode first-season run until the new year, America Ferrera's latest series, Superstore, premieres tonight at 10, as a special one-hour block following megahit lead-in The Voice.  (The series' eventual Monday night companion piece, Eva Longoria's Telenovela, will get the same preview push at the same time next week, on Monday, December 7.)

I've seen episodes of Superstore, and can attest it's worth checking out, not only for Ferrera's endearing new character Amy, but for the rest of its skilled comedic ensemble cast, including Mad Men's Ben Feldman as her new romantic interest, the elitist Jonah, Kids in the Hall's Mark McKinney as the hyperreligious store manager Glenn and Another Period's Lauren Ash as the super-weird and aggressive Dina.

Superstore comes from creator Justin Spitzer, who worked for years as a producer on NBC's great ensemble comedy The Office -- and the DNA shows here.  Superstore has the same mix of officious weirdos as funny supporting characters, and yet also shows a lot of heart.  After the overwhelming experience playing a title character on Ugly Betty, Ferrera said today at a lunch for critics on the Universal lot in Los Angeles that she's happy to step into a true ensemble.  Plus, the woman is busy; not only does she develop TV shows at her own development company, but as a producer of Superstore, she's part of the show's story decisions.  As such, she adds that she's happy that Spitzer and his writing staff are expert at pacing out story developments in Superstore's first season, trusting the audience to keep tuning in to learn more about its ever-deepening characters.

If the four episodes available to the press are any indication, it will be a season worth spending.  Check out the show's first two installments tonight at 10 PM, following The Voice on NBC.

Friday, November 13, 2015

Undateable: Je Suis Paris

From the start of this, its third season, NBC's sitcom Undateable has aired live every Friday night -- until tonight.

At 4:45 PM Pacific time -- just 15 minutes before the first of two live telecasts was to be performed for the Eastern time zone -- Undateable opted to cancel tonight's live show in deference to the terrorist attack on Paris.

With several of the networks scrambling to cover the breaking situation -- such as ABC's 20/20, which will devote its hour to coverage -- it's likely that NBC would have pre-empted at least one of the Undateable performances anyway.  But as an emotional Bill Lawrence, the show's executive producer, explained to a disappointed yet understanding crowd, tonight it didn't feel right for the cast or producers to go live with the show's trademark brand of silliness.

At the producers' request, musical guest Joshua Radin did perform for the crowd, albeit a different, more mournful song than he'd planned.  Barring anything unforeseen, Undateable will be back live next Friday -- probably with the same episode we would have seen tonight.  Bravo to Bill Lawrence, Randall Winston (he's the producer you'll see placing the "Je Suis Paris" sign in the video below), Chris D'Elia, who addresses the crowd here, and the cast and crew of Undateable for this classy move, in tribute to the victims of this senseless violence.




Friday, October 16, 2015

Another Undateable Duo

Undateable's Ron Funches (l) and David Fynn
According to his posts on Twitter, on tonight's live episode of Undateable -- the second installment of Undateable's all-live third season on NBC -- actor David Fynn, who plays gay British bartender Brett, will be periscoping live from within a scene.  It's one of the many ways Undateable is reinventing the live broadcast, and folding viewers into the experience via a variety of social media.

Last week, just in advance of the show's season premiere, I sat down with David and co-star Ron Funches, whose character Shelly has a way of imbuing even the most edgy of remarks with his trademark cuddliness and likeability.  I talked with the two about everything from Ron's weight loss -- 75 pounds since last season! -- and their biggest fears about what could happen live, tonight at 8PM Eastern (rebroadcast for other time zones) tonight on NBC.

Must-Hear TV:  Ron, you look a little different from last year.  How did you do it?

Ron Funches:  Just working out.  Exercises with a trainer.  And I hate it.

MHTV:  How is the show going to explain Shelly's new appearance?

RF:  I don’t think they’re going to have to.  I lost 75 pounds, but I’m magically still fat!  So it works!  I think they’ll just let it go.

MHTV:  Come on, with all the live stuff that could happen on the show?  Last year, Chris D'Elia's Danny commented on Brent Morin's character Justin's weight.  So you think they’re just going to let it go for Shelly?

RF:  That would be fine!  Great, bring it up, get me more dates!

MHTV:  When you were told you were going to do live shows all year, were you intimidated?

David Fynn:  No.  I think this is a cast that embraces pressure like that.  The four boys come from standup backgrounds, Bridgit [Mendler] is a live performer, and I’ve done theater and stuff.  I think if any cast is going to embrace live TV, I think it’s going to be us.  I think we kind of get off on the adrenaline of it as well.  Like on our tape nights, when things were kind of coming out a bit crazy and the improv was going a bit crazy, you could really feel that energy from the audience.  And I think to have that in a live scenario suits our cast very well.

MHTV:  What’s your worst nightmare of what could happen?

DF:  Cursing, for sure.

RF:  Cursing is the worst nightmare.  But also, because the show will be doing some things where they unexpectedly put the camera on other [audience] people, what if that person curses?  That’s my worst nightmare, where it’s someone out of our control.

DF:  I guess dropping a line would be pretty bad.  But someone would save you, though.  You’d be fine.

MHTV:  You’re all skilled enough in working without a net that you can cover for each other.

DF:  Sure.  And because we rehearse quite a lot now, we know the story so well that if a line goes, the most important thing is that you’re tuned into the story, so someone will bail you out.

MHTV:  Do you have a dream guest star you’d like this season?

RF:  I like The Rock.  The Rock would come here, and be like, "Oh man, I’m not feeling confident. Shelly, teach me how to be so cool!"  That would be great.

DF:  I’d like Ricky Gervais

MHTV:  He could play your dad!

DF:  That would be amazing!  And he’s lovely, too.  I think he’d embrace it.  Let’s get Ricky Gervais!

RF:  Let’s make Ricky Gervais MY dad!

MHTV:  He might be one of those people who could drop the F-bomb.  He’s a little unpredictable.  Maybe he’s the one who’d get the show fined by the FCC!

DF:  And he’d love it as well!

MHTV:  Do you think comedies like Undateable have a specific advantage in addressing stories about race and class, as compared to TV dramas?

RF:  Yes, of course!  The advantage is, you get to tell jokes.  Or more exactly, you can say exactly what you mean, and people will think it’s a joke.  And those are usually the best jokes, when you’re really just saying what you truly believe, but because it’s an uncomfortable truth, people are going to laugh at their reaction.  When you’re doing it in a drama, you have a tendency to be whiny or preachy.  But when you’re using humor, you can diffuse the situation and make light of it, and be very honest without people really holding you to it.

MHTV:  Do you guys have in the back of your heads some lines that you would throw out there in a nervous moment, or just to mess with your costars?  Are you banking stuff to play with in the scenes?

RF:  No, because I feel like that’s cheating.  That’s taking away the live atmosphere.  What will happen is when we’re live, because we’re very funny people we’ll play the situation.  And if something comes up, we’ll say it.

DF:  I think we all had moments in the [live season 2] finale that we improv’d something.  I think the first [East Coast broadcast] was a little tighter on the script, and the second show [for the West Coast] everyone was a little bit more loose.  I felt like in the first show people were spotting opportunities, but not taking them as much as in the second.  And then in the second, people were  having little gos and still improvising.  So I still think that spontaneous thing will still be there this season.

MHTV:  What are this seasons's character arcs for Shelly and Brett.  Will Brett get a boyfriend?

DF:  It’s already talked about that I’m possibly seeing a guy, so hopefully we’ll bring him in at some point.

MHTV:  Do you know who they’ll cast?

DF:  I’m pretty sure it’s going to be Anthony Hopkins.  [laughs]

MHTV:  Or, another possible dad!

DF:  Yeah!  My dad actually looks like Anthony Hopkins a bit.

RF:  I know a specific thing but I can’t talk about it.  But I can say that Shelly’s going to have some trials in his life that he’ll have to deal with, coming up.  And we’ll get to watch him deal with them.

MHTV:  Any special ladies?

RF:  I hope so.  I hope so in the show, and in my real life.

MHTV:  What kind of social media things will you be doing to tie into the live performances?

RF:  Every day at 4:30, we’re all going to be doing periscope.  We’ll all have our own individual shows: David will be doing some actor challenges, and I will be doing a thing called Funches’ Favorites, which is basically a lifestyle magazine about being a modern man, just showing you the things that I love.  And then we’ll be live tweeting during the shows.  We’ll be all over social media.

DF:  During scenes, if we’re not speaking, we’ll be on our phones, tweeting.  We’ve been told to do it during scenes.

MHTV:  Just to make it harder, to have more things to juggle!  Are we going to meet any of your family members?  We were joking about your possible dads.

RF:  I haven’t heard anything yet.  I know we’ve been talking about my cousin, who’s meth-addicted.  So hopefully he’ll show up!


Undateable
Airs LIVE for the East Coast, Friday October 16 at 8PM,
Replayed from live broadcast in other time zones
NBC

Friday, October 9, 2015

Live from Warner Brothers Studios, it's Undateable on Friday nights

After scoring big buzz and good ratings with its first live episode back in May, NBC's hip sitcom Undateable returns tonight at 8 PM for the first of an entire season of episodes performed live.

It seems like it might be hard to top last season's stunt, which featured cameos from showrunner Bill Lawrence's stable of actors from his past shows, including Zach Braff, Donald Faison, Neil Flynn and his wife Christa Miller, as well as Minnie Driver, Kate Walsh, Victoria Justice, Dr. Drew Pinsky, Scott Foley and Ed Sheeran.

But as they discussed with me below earlier this week, Bill and his fellow showrunner/Undateable creator Adam Sztykiel have many surprises and tricks in store for us -- from the opening credits onward, Bill teases, so pay attention! -- as well as innovative new ways to enhance the live experience for today's multi-media, multi-tasking viewer.


Must-Hear TV:  The latest news from NBC explains that tonight's special one-hour season premiere will air live on both the East and West coasts, as was the episode back in May -- but then the rest of season 1 will be performed live only once.  What's the thinking behind the decision?

Bill Lawrence:  [The decision to air live once versus twice] will depend on the night and what we feel like.  It doesn’t cost that much extra money to do it twice.  [For the show's crew] part of the appeal of doing a live show on Friday nights is maybe seeing your kids at 6:30. But we promised the network that anytime we’re doing an hour-long special like this first one, we’ll do it [live for] both East coast and West coast. Just because then we can fool along with the medium and have the bands do different songs, and have our guests do different things, like Ed Sheeran and all those people did last time.

MHTV:  There was such a difference between the two live episodes last time.  You could really see the difference between the two feeds, and how loose you were for the west coast, knowing you had it in the can once.

BL:   Also, we’re west coast guys.  So with the west coast show, we were like, "No one’s watching this!  So let’s be idiots and see if we can get ourselves thrown off of television!"  But I think we’ll try to do it a bunch more than just the first time.  We just have to be careful about what we’re allowed to say and not say [language-wise on live TV].  But I’ll say it, yeah, we’re going to do more than one of this season's episodes live on both coasts for sure.

MHTV:  What can you tell us about [tonight's] season premiere?

BL:  Last year, when it was just a one-off live episode, we made it kind of like a variety show, just “Hey, it’s the night of 1000 stars!” and Ed Sheeran is singing, and the cast is going to wink at the camera 9,000 times.  So [for this season] Adam and I had to come up with an idea of how to bridge that gap where we can still tell stories, but kind of acknowledge that the show is live.

So what we’ve been trying to sell to the network – we’ll see if they buy into it or not – is a live experience.  Which means that the show for us is a weeklong thing.  Every day at 4:30 [Pacific time] we put out live content.  Viewers have access to all the cast members, to the bands that are here, to everybody who is coming by and doing stuff for the show.  That leads up to the show, and then even during the show, there’s the opportunity for live interaction.

Chris D’Elia very proudly last year said he was the first actor ever to live tweet a show whilst he was simultaneously acting on it.  So one thing we're doing is passing out phone numbers for real cell phones; so that if the phone rings, it will be an actual fan at home calling [in to the scene].  We'll be Periscoping in the downtime during commercial breaks.  If any actor is typing on a phone, it’s not fake the way characters drink coffee on normal shows; he or she is probably interacting with someone who’s watching.  It’s like last year, where someone tweeted to Chris, "No way!  You’re not talking to me while I’m watching this!" And he was like, "I totally am!  I’ll touch my head right now!"  That type of immersive experience will hopefully be fun for people.

MHTV:  That’s real showmanship for the 21st Century.

BL:  We’re trying hard.

MHTV:  It sounds exhausting.

BL:  It is exhausting.  You’ve got to make current event jokes, and you still have to make a show that people give a crap about, that has emotional depth.  Adam always says one thing, that I truly believe, about why we’re doing it live...

Adam Sztykiel:  Whether it’s the perfect show or an epic disaster, it’s still going to be more interesting than routine half-hour TV.  There’s so much on TV now that you have to do something to separate yourself from everybody.  So I look forward to those handful of episodes where the wheels come off a little bit.

BL:  I don’t know if our network does, but we embrace the potential for disaster.  We saw it almost happen last time in the west coast feed.  Scott Foley was getting dangerously close to us getting fined.

MHTV:  The scene that looked like it was going to turn into a possible blowjob?

BL:  Yes, because he was riffing.

AS:  Bill was literally inches behind the camera line, leaning in, about to jump in front of the camera.

BL:  The second I knew we were going to lose money, I was going to put my head in and say “We’re going to keep moving!”  I have my SAG card. I would have walked in like, "Hey, Justin!  Hey, Danny!  It’s your neighbor from this fake door over here!  We’ve got to keep this thing moving!"

MHTV:  I’m SO hoping that happens this season.

BL:  Part of the fun of this show is that these actors and actresses are adept enough and quick enough on their feet that they can handle this stuff.  You can’t fabricate it.  You can’t ask a performer to fake a spontaneous moment.  And so one of the things that they’re all up for, if you go back and look at [last season's] live show, and we’ll be doing it in every episode, is we'll give certain performers lines that the other performers don’t know are coming at certain spots in the scene.  The cameramen are ready to handle it.  So like last year, Brent Morin didn’t know Ed Sheeran was going to kiss him.  Brent Morin had no idea that when they were fighting, that in one take, Chris was going to say, “Oh yeah?  Well you’ve gained a lot of weight since this show started!”  Chris didn’t know that Scott Foley was going to make him get on his knees and do all that stuff.  We want to watch to see what happens and hope that the people don’t have panic attacks.

MHTV:  "People" meaning the network censors, or your cast?

BL:  Cast.  I mean, look at Bianca [Kajlich].  If she starts laughing, she can’t contain herself.  So I truly hope that happens this year, because everyone will try to dive in and save the scene.  But watching that train wreck, we equate it to Saturday Night Live.  I love when Jimmy Fallon used to kind of screw up.  I wouldn't have liked if he did it in every single sketch.  But when it happened once in a while and was real and organic, it made me feel like I was part of watching something cool.

MHTV:  Will we see any of the character interactions changing, like Justin and Candace, or “Lursky?”

BL:  "Lursky," I like it!  The season premiere picks up where the last season ended.  We’re really tracking Justin and Candace, and Leslie and Bursky.  Because that’s what I think a hangout sitcom is.  We’re trying to find the way that you can bridge this weird kind of live show that knows it’s live, in which there’s a live opening credits every week with cast members up, interacting with the audience, into a show that you actually watch, trying to buy into the characters.  We think we’re pulling it off.

MHTV:  Is there an eye on replays of the show or syndication when you’re doing it live?  It’s fun now, in the moment, but does that affect how fun it is 10 years from now in repeats?

BL:  If we weren't thinking about [the show's later life], we wouldn’t care as much about telling ultimately stories that still hold up as sitcom episodes.  So I think one of the things we’re proud of this year is, if you took the live winks out, the stories hold up just as when I wrote on Friends or did Spin City.  They’re classic sitcom stories, hopefully with a fresh spin because of the way we’re shooting them.

MHTV:  How do you plan on testing the audience this season in terms of pushing the boundaries of comedy, to leave the audience gasping but at the same time tuning in every week?

BL:  The reason we wanted to do this is, if you see any of these standups live, they’re all very dangerous.  They do things that make you uncomfortable in your stomach.  Rick Glassman as a standup got compared at [Montreal's annual comedy festival] Just For Laughs to Andy Kaufman, because he makes the audience so uncomfortable.  And I think really good comedy is dangerous.  We’re on a network, and we’re almost constantly in battles and policing ourselves upstairs in the writers’ room – can we really do this?  And I think that, as people get into it, we can get a little more risky.  We had a politically charged joke last night that we were talking to Ron [Funches] about.  We couldn’t decide if it would just take the audience out of it...

MHTV:  Was it politically divisive?

BL:  Justin was describing a reaction of Danny’s, saying, "I thought you turned quick, like you heard a gunshot.  But with a smile on your face, like a happy gunshot."  And then Shelly says, “Sounds like a Fox News headline:  'Annoying peaceful protest silenced by happy gunshots.'”  And that’s the type of stuff that those guys would do in their standup acts.  But we were like, "Yeah, is that something we want to do in the first episode, and have some people up there [in the live audience] if they like Fox News, being like, 'NOOOO!'”  So we’ll probably ease our way into [topics like that.]

MHTV:  Any guest stars you can tell us about coming up?  Any Detroit-specific elements?

AS:  Detroit – obviously we will always tag it as much as possible.  So Leslie’s job as someone who markets the city is going to be a big part of the show.  And of course Shelly living and loving everything Detroit, that’s going to be a big thing.  And then hopefully we'll have a few guest performers whom I won’t mention yet, who will have ties to the city, down the road.

BL:  We’re doing so much immersive stuff here, and our guest cast will be part of it.  Besides seeing the band in the show, they’ll finish their act, and then here afterwards we'll have kind of a VIP lounge where hopefully comics and other friends of the family will be there, not only participating, but tweeting.

This isn’t a traditional TV show in the sense that, in network television were I to call up Zach Braff like last time and say, “Hey, I want you to come be a guest star on my show,” they’d have to do contracts, and then he'd have to be on set all week, and shoot 4 days.  The reason we’re able to get a lot of guest stars is instead I can say, “Hey, if you come Friday between 4:15 and 5:20, and just hang out for an hour and five minutes, we can give you a really funny cameo on a live show, and you don’t have to rehearse at all during the week, and whatever happens happens.  I can’t pay you a lot, but in return we’re not going to use you to promote and sell the show.”

That’s really our business model.  If last year's live episode had been normal episode of TV, and we'd had to pay everyone as a special guest star, that would have cost like $5 million.  You can’t do it, with that sheer amount of people on.  On the other hand:  "Hey, you feel like coming by and getting 3 free drinks and then walking out and doing something ridiculous?"  And then most people are like "Yeah, that sounds like it might be fun."

Wednesday, May 6, 2015

Supergirl and the Four-Timers' Club

It's Supergirl!
Coming soon to CBS
So much has been made in seasons past of mega-successful TV producers who juggle multiple shows on the air, and all the moving parts that must entail.  The feat is made all the more impressive when you note how producers like Dick Wolf and Shonda Rhimes preside over programs that also happen to be among the best in their genres.


Super-successful Shonda Rhimes
Next season, both producers will probably keep their records in tact, with four definite shows for Wolf (granddaddy Law & Order:  SVU plus Chicago Fire and its now two spinoffs, Chicago P.D. and the new Chicago Medical) and probably four for Rhimes (the grandmommy Grey's Anatomy, plus mega-hot Scandal and How to Get Away with Murder and ABC's likely pickup of a new drama, The Catch.)
Prolific producer Dick Wolf

But while those producers have sold their wares all to one network (Wolf at NBC, Rhimes at ABC, and, let's not forget that before this season's finale of Two and a Half Men, Chuck Lorre had four shows at CBS), undoubtedly leveraging one's popularity to gain pickup for another, yet another megasuccessful producer has emerged, with shows all over the broadcast dial.

Four-timer (and counting) Greg Berlanti
As of Fall 2015, Greg Berlanti will also have at least four shows on the air, with the CW's Arrow and The Flash, NBC's recently picked up suspenser Blindspot, and now CBS' announcement that it has picked up Supergirl to series.  Will NBC break the tie by maintaining a fifth Berlanti series on its airwaves, the on-the-bubble Mysteries of Laura, next season?  We'll find out this coming Monday, May 11, when all things peacock will be revealed.

In the meanwhile, news is just coming out today about Supergirl as CBS' first new series pickup.  That the story broke today is already an impressive feat, considering how secretive CBS normally is about its upfront news; in fact, journalists have nicknamed the secrecy surrounding the network's last-minute programming war room each May "Les Moonves' Cone of Silence."  But with a producer like Berlanti who has clout, he can ask for an early deadline for the decision.

Supergirl stars Melissa Benoist in the title role of Kara Danvers/Kara Zor-El, cousin of Superman; the show's pilot, written by Berlanti, Ali Adler and Andrew Kreisberg, starts with Kara at age 24, deciding to embrace her superhuman abilities and becoming a hero.  The impressive cast also contains Calista Flockhart, as Kara's tough boss, Cat Grant; Mehcad Brooks as love interest Jimmy Olsen; Chyler Leigh as Kara's doctor sister, Alex Danvers; David Harewood as supervillain Hank Henshaw aka Cyborg Superman; and Laura Benanti in a recurring role as Kara's birth mother, Alura Zor-El.  All that, plus the news that broke a few months back that this adaptation will bring back some faces familiar to Superman fans, with Helen Slater (big-screen Supergirl) and Dean Cain (Lois & Clark:  The New Adventures of Superman) cast in "secret roles."

No word yet from CBS as to whether the show will debut in Fall 2015, or "midseason" (even though CBS President Nina Tassler has officially banished that word), or in what time slot.  That news will come on Wednesday, May 13, as CBS rolls out its upfront presentation at New York's Carnegie Hall.  Stay tuned!