The Girls Head to Hulu

Big news this morning out of the Television Critics of America (TCA) convention in Pasadena:  Hulu has announced the exclusive acquisition of streaming rights to The Golden Girls.  Starting February 13, all seven seasons/180 episodes of the show will be available for on-demand viewing anytime.

Now if only we can get them to throw in Golden Palace.  Stay tuned!

More "Lies" to Come

As PR executive Marty Kaan on Showtime’s House of Lies, which returns tonight at 10 PM for its second season, Don Cheadle is a sublime slime. (Make that an Emmy-nominated sublime slime!)

But in the current Iron Man film series, Cheadle’s James ‘Rhodey’ Rhodes uses the powers from his War Machine suit only for good.  And the versatile actor was nominated for an Oscar for his 2004 role as Paul Rusesabagina, a noble African innkeeper rescuing Tutsi refugees from genocide in Hotel Rwanda.

In the fall of ‘92, the now 48-year-old Kansas City native had checked guests into a much cheerier establishment in Miami, making his series regular debut as put-upon desk clerk Roland Wilson on CBS’ Golden Girls much maligned sequel sitcom, Golden Palace.  Today, Palace producer Tony Thomas looks back on the casting which helped launch the lauded actor's career.  “Don Cheadle is a brilliant actor whom I’ve often seen since, and said, ‘I’m so sorry we gave you that material.’”

At the time, Thomas worried he might have ruined Cheadle’s career.

Hardly.

A Still-Golden Anniversary: 20 Years Since Debut of Failed Spinoff Golden Palace

For seven seasons, The Golden Girls brought groundbreaking comedy to the small screen, and made icons of its four leading ladies.  Then in 1992, three of the Girls packed up the house on Miami’s Richmond Street, and moved to the beach – and to CBS.

The Cast of Golden Palace (1992-93).
  Back:  Cheech Marin as chef Chuy Castillos;
Don Cheadle as desk clerk Roland Wilson;
Billy L. Sullivan as Oliver Webb;
Front:  Rue McClanahan, Betty White, Estelle Getty

With schoolteacher Dorothy Zbornak now married and living in Atlanta – after actress Bea Arthur had opted out of The Golden Girls, thus ending the series – her roommates Blanche and Rose moved to Golden Palace, making the odd, life-changing decision to invest their savings in the show’s titular hotel.  Stranger still, Dorothy had even left her by now nearly nonagenarian mother Sophia behind; soon, after some financial miscalculations, the three women found themselves putting in backbreaking hours of cooking and cleaning as the Art Deco District’s most unlikely hoteliers.

Producer Tony Thomas remembers the decision to take the three remaining Girls in such a new direction.  “You don’t replace Bea – it would have been ridiculous to have someone try,” he explains.  Thomas says that he and fellow producers, Golden Girls creator Susan Harris and her husband Paul Witt, “have always liked the idea of doing a show about life in a hotel.  There’s something appealing about a core cast in such a transient setting.”

“We wanted to show these woman as still vital and active,” Witt adds.  “So taking over a small hotel would put them in contact on a regular basis with interesting people, and keep them active as they learned to do something different.  We couldn’t do ‘Golden Girls Redux’ or ‘Golden Girls Continued.’  We had to make it different and hopefully comfortable.”

The Old College Try

The cast of Golden Palace boasted not only three sitcom heavyweights in Betty White, Rue McClanahan and Estelle Getty, but also comedy legend Cheech Marin, and future House of Lies star Don Cheadle as the hotel’s desk clerk, Roland Wilson.  And like the Girls before it, Palace also boasted some of today’s hottest comedy writing talents among its staff. 

But writer Mitchell Hurwitz, who would later create CBS’ sitcom The Ellen Show before finding fame with Arrested Development, remembers his colleagues’ unease with the Palace premise from the start.  “People really related to The Golden Girls.  The husband leaves, which was something a lot of women had gone through in that generation,” he notes.  But with Golden Palace, “now we were asking the audience to relate to having to run and manage a hotel, and clean the rooms yourself.  It was an interesting premise, which created a lot of opportunities for comedy, but it wasn’t what people came to The Golden Girls for.”

In the 2006 interview I conducted, via the Archive of American Television, with McClanahan, who died in 2010, she also remembered the difficulties in transferring her character Blanche to the new seaside setting.  “We gave it the good old college try, but [Golden Palace] wasn’t the right thing to do.  It took the center out of the characters as they had been established – particularly Blanche.  She had to become a businesswoman, and run a hotel.  How did she learn how to do that?  Where did that come from?  It required more out of the Blanche character than ever before, and I found it very hard to find the way to play it.”  Presenting the Girls without their popular fourth friend Dorothy, McClanahan recalled, “really was like walking without one shoe.”

AfterG*I*R*L*S

Premiering on September 18, 1992 as part of CBS’ new two-hour comedy block, Golden Palace won its 8 PM time slot for its first few weeks.  But soon, the entire night began to sink in the ratings.  For every rare case like Frasier, which would premiere the next fall and would last eleven seasons, there is an AfterM*A*S*H, or a Joey.  And Golden Palace would soon prove to belong to the latter category of sequel series.

“Golden Palace was ill-conceived from the start,” says another former writer, Marc Cherry, who went on to create CBS’ sitcoms The Five Mrs. Buchanans and Some of My Best Friends before his iconic Desperate Housewives (and now, Lifetime's eagerly anticipated new series Devious Maids.)  “Old ladies just don’t go around buying hotels.”

Still, Cherry says, “Golden Palace is no [tacky ‘80s syndicated sitcom] Small Wonder.  There are moments of the show that are actually quite good.”  One particularly touching episode, he agrees, featured Ned Beatty as Blanche’s heretofore unmentioned, mentally challenged brother.  In another, lifelong animal activist Betty White was able to highlight the sad plight of greyhounds discarded by Florida racetracks.  In a two-part episode, Arthur’s Dorothy returned to visit her old friends in their new setting, bringing with her an hour’s worth of that old Golden magic.  And throughout its 24-episode run, Golden Palace sported cameos from the biggest stars of yesteryear, like George Burns, Eddie Albert, Tim Conway and Harvey Korman, and gave early breaks not just to Cheadle, but other future comedy stars like Jack Black, Margaret Cho and Bill Engvall.

“With a little more time, I think we could have gotten [Golden Palace] to be very good – but we didn’t get there,” Witt remembers.  In the spring of 1993, Palace was cancelled after its freshman season,  along with the entire Friday comedy block.

Although Cherry says that he worried at the time that the sub-par Golden Palace would end up tarnishing the memory of its parent series, many fans have come to see the show as the Girls’ de facto eighth season.  Unlike Girls, Palace is not available on DVD – but it caused a sensation in the mid 2000’s when Lifetime briefly tacked its episodes onto the end of its regular Golden Girls run.

Marin, who went on to star in CBS’ shows Nash Bridges and Rob, remembers an additional Palace legacy.  Conscious of Miami as a rich ethnic and racial melting pot, the show’s producers had hired the Mexican-American actor to play the hotel’s Cuban chef Chuy Castillos; Marin says he used to refer to himself and Cheadle, surrounded by older white ladies, as “the Afro-Cuban section of the Lawrence Welk band.”

Marin says his greatest memory of Golden Palace was working with co-star Getty – but not in any moment that showed up on screen.  “She taught me to make a great matzoh ball, and boy, it just makes them nice and fluffy,” the 66-year-old actor remembers.  “I make great matzoh ball soup to this day, for which I’m eternally grateful – as are my children.”

A Little Ditty About Jack and Karen

When I logged onto AOL this morning, I saw a teaser quoting a National Enquirer story which claims that NBC is eager to put together a pilot for a potential Will & Grace spinoff, to star Sean Hayes and Megan Mullally's characters Jack McFarland and Karen Walker.

Now I'm not one to believe the Enquirer -- or AOL's shoddy news reporting, for that matter. But let's take this seriously for a moment, and realize -- it sounds like a really bad idea. For every rare hit spinoff like Frasier was from Cheers, there's a Joey or reaching back even further, a Golden Palace or an AfterM*A*S*H.

And there are some good reasons to be skeptical about this rumor. For one thing, just last week it was announced that Megan Mullally has already signed on to star in an ABC pilot, In the Motherhood, opposite Cheryl Hines and Chelsea Handler.

Plus, there's the issue of Will & Grace's terrible series finale. Back in July, I asked Debra Messing at the Television Critics' Conference if there might ever be a Will & Grace reunion. Never say never, she basically said -- but she pointed out that the series finale wrapped up the show's storyline so far in the future that any reunion would be logically problematic, if not impossible.

The same can be said for Jack and Karen. Didn't we see Jack financially forced to marry Beverly Leslie, only to be thrilled when a freak windstorm swept the little guy off their balcony? And then we saw Jack and Karen, together again, living off Beverly's estate? Jack, with touches of gray in his hair now -- and Karen, hilariously looking exactly the same?

I had very mixed feelings about the Will & Grace series finale, because in its attempt to set up a "meet cute" for Will's son Ben and Grace's daughter Lila, the episode contradicted several key facts we already knew about our titular twosome. Despite the finale's assertion to the contrary, Will and Grace had not earlier been said to have been freshman hallmates; he was even probably a year or two ahead of her. Instead, it had been established, including during the two-parter where Grace married Leo, that Will and Grace first met at a party on a New York rooftop. But I digress.

It would probably be best to let Jack and Karen rest, in whatever boozy state they're lounging around in in the TV ether. But I want to make this clear: should these spinoff rumors turn out to be true, and the show does somehow get on the air, I'll be the first one to tune in and watch. And this time, I want to write for the show. Got that, Mr. or Ms. Showrunner?