 |
| Annie Potts as Gigi Stopper in the woefully short-lived GCB. |
By the time in 1986 when Annie Potts showed up on the small screen in the role for which she will always be best remembered,
Designing Women's Mary Jo Shively, I'd already loved her for years. Anyone who came of age in the '80s may remember Potts' brilliant best-friend role in 1986'
Pretty in Pink, or her wacky
Ghostbusters receptionist Janine in both the original 1984 film and its 1989 sequel.
After
Designing Women ended in '93, Potts went on to many more TV roles; the Kentucky native was awfully convincing to me as the Italian-American chef Dana Palladino, when she replaced Susan Dey as the female lead in the final two seasons of CBS' underrated sitcom
Love & War. Later, Potts headlined Lifetime's 1998-2002 series
Any Day Now, and has also had regular or recurring roles on
Huff,
Joan of Arcadia,
Men in Trees and
Law & Order: Special Victims Unit.
But of all Potts' roles, it was
GCB about which I was most excited in recent years, bringing her back to the Southern milieu in which we all know she particularly shines. I was shocked in May when ABC announced the show's cancellation -- surely the network could have given this fun romp of a show more of a chance to grow.
 |
With the at that point soon-to-be GCB star Annie Potts
at the TCA convention in Pasadena, CA
January 2012 |
This past January, as
GCB was about to make its debut, I had met Potts at the Television Critics of America conference in Pasadena, and took the photo, at right; both of us were full of hope that
GCB would be ABC's next big soapy hit. Cut to last week, at the TCA Summer conference in Beverly Hills, when I again spoke with Potts at a luncheon given by the Hallmark Channel, where the actress will be appearing in the TV movie
The Music Teacher later this year. It's always a pleasure talking with her, because of the way she answers questions; she speaks slowly, every word clearly being carefully chosen. And so when Annie Potts speculates about the reasons behind
GCB's premature demise, and about being a Southerner in the age of Chick-Fil-A, I'm that much more excited to listen. Our interview, below:
Must Hear TV: There’s a
campaign out there to save
GCB, if
you’ve seen it on Facebook and Twitter.
Do you think it’ll have any effect?
I know. But I believe
if it was going to have any effect, then it would have had an effect already,
regrettably. Really regrettably. Ah, GCB,
RIP! Bummer.
MHTV: What do you
think happened?
I think a lot of different things. I think our ratings could have been a little
better. But you know they hardly give
anything a chance. I think if they’d
given us a little time, we could have done better. I think in the end, there were some
advertising problems, because big advertisers had had some complaints. If they get 10 emails going, “We don’t think
you should be advertising during that…” People
got all flustered about what they thought we were, without seeing what we were
doing.
MHTV: Where were
these people when the novel Good
Christian Bitches [on which the show was based] came out? It had the word “Bitches” in the title, and GCB didn’t even have that.
Yes, but I think it was implied. There are some who were associated with it
who felt like if we’d just named it something else, like “Homemade Sin” or
something, that people wouldn’t have gotten their feathers ruffled from the
get-go. And that maybe we could have [lasted.]
MHTV: It’s a shame
people could be so closed-minded. Not
even seeing a show, yet three initials gets them riled up.
We could have named it “WTF,” and really pissed people off!
MHTV: I wonder if
that would have pissed Christians off as much as the idea that they think they’re
being made fun of, with “GCB.”
I don’t know. My
Christian friends welcomed it, because I think everybody likes to smoke out
hypocrisy when they can. It’s like, “Hello,
do you see how you’re saying one thing and doing another?” So I felt that there was a lot of support in
the Christian community. But it only
takes a few.
 |
If you haven't heard, Chick-fil-A has
long supported hate groups like
the National Organization for Marriage
which advocate against gay rights.
Please don't patronize Chick-fil-A! |
MHTV: Speaking of
Christians and the South, we happen to be in this moment right now where there’s
a culture war going on, and Chick-fil-A has gotten itself embroiled. You’re a Southerner, and you have obviously
worked with gay people in Hollywood. Do
you have an opinion about this controversy?
Yes, I know about it.
I think maybe the problem is people having opinions on it. I think if whoever is the head of Chick-fil-A
had not espoused a bigoted opinion – it’s like, what does anybody care who
people love? They should be more
interested in that they love. Isn’t that what everybody’s supposed to be
doing, and not be judgmental about who?
But, see, I’m judging him saying that.
MHTV: I’m judging him too. Because even if he’s entitled to his opinion,
he’s supporting suppression of my rights with money we might be spending on his
chicken sandwiches.
Yes, well I won’t eat there.
That’s all. I grew up in a little
town, and if somebody did something you didn’t like, my daddy would just say “We
don’t trade there anymore.” And I’d say,
“We’ve been going to that gas station for 15 years!” And he’d say, “We don’t trade there anymore.” So I would say to Chick-fil-A, if people want
to change things, then you just say, “We don’t trade there anymore.”
Of course, with the power of the media now, that’s
essentially the same thing kind of closed GCB
down. People saying, “We’re not going to
trade there. We’re not going to tune
into that show.” Well fine, you don’t
tune into the show. And just keep it to
yourself.
MHTV: I thought it
was a loving portrayal of Texans. Yes,
it pointed out hypocrisy, but I think everybody knows that that’s an element of
Texas and of Big Religion. I didn’t think it made particular fun of them.
I don’t think so either. I know that it was not the intent of our
creator, and our writers, who were almost all Christian. Church every Sunday Christians.
MHTV: This means we
have another opportunity to bring you back to network television. Do you have anything in your sights?
I’m trying to develop something right now. But that is a long row to hoe always. I love doing series television. I’m a real workhorse in that way. I love the work. The work is hard, and the hours are long, but
it’s what I’ve done for most of my adult life, and that’s what I like to do.
MHTV: TV more than
film at this point? There are so many
films fans love you in, too.
I think there are more opportunities for me in
television. Most movies are made for
14-year-old boys.
MHTV: You’d have to
be the long-suffering mom in film at this point.
I am a long-suffering mother. So I would be happy to play that role. But I think the roles are just better, with a
little more complexity, in TV.
MHTV: What kind of
character would you like to play next? A
Southern woman again, or do you want to mix it up?
I always like to mix it up.
Although I think on television, there is some evidence that the kind of
closer you are to the character you’re playing, the more successful you are. And playing Southerners is something I really
like to do. I know them well, and I like
to do that because I feel like sometimes Southerners aren’t portrayed as if
they are complex characters. And I always
beg to differ on that. And also, when
you are playing a Southerner, you can say the most awful things and get away
with it!
MHTV: As long as it’s
followed with “Bless your heart,” right?
That’s right. So
there are benefits to that, especially on TV.
When Téa Leoni first read the pilot script for Madam Secretary, from renowned show
creator Barbara Hall (Joan of Arcadia),
“I knew right away who this woman was going to be.” In contemplating taking on
her first regular dramatic series, Leoni admits that three role models
immediately came to mind: Hillary Clinton, Madeleine Albright, and Condoleezza
Rice. So as an actress, “I’m in a great
position, where I can steal from those women, and the show can imagine more.”
