The Ladies of Sugarbakers Ride Again

The cast of CBS' original Designing Women (1986-93):
l-r: Annie Potts, Jean Smart, Meshach Taylor,
 Delta Burke, Dixie Carter

This morning, at the Television Critics Association convention in Beverly Hills, Hulu made one of the most exciting announcements of the press tour so far -- about a show that premiered nearly 33 years ago.

After finding huge success in streaming all seven seasons of The Golden Girls, Hulu has announced its acquisition of all seven seasons -- 163 episodes worth -- of the 1986-93 CBS hit sitcom Designing Women.  The series will be available beginning August 26, which not so coincidentally, happens also to be Women's Equality Day.

Following a similar comedic "rule of four" with its characters, Designing Women starred Dixie Carter, Delta Burke, Annie Potts and Jean Smart as four women of different backgrounds and certainly personality types who ran a successful design firm in Atlanta, with Meshach Taylor joining as a fifth partner in the Sugarbaker Firm.  In many ways a Southern Golden Girls, Designing Women dared tackle political topics and social issues of its day even more directly -- in fact, it was the first sitcom to air an episode dealing with the HIV/AIDS pandemic -- and has earned a similarly devoted following even more than three decades later.  In fact, it's hard to find a gay man of a certain age who can't quote Julia Sugarbaker's "The Night The Lights Went Out In Georgia" rant word for word, after seeing the video clip playing seemingly on a loop in American gay bars.

With reboot fever in full bloom, Designing Women's prolific creator, Linda Bloodworth-Thomason, had recently written a pilot script which would feature a brand new generation working at Sugarbaker's -- but they would also be graced by recurring, if not regular, visits from the show's three original stars, Burke, Potts and Smart.  At a press event for Potts' current series, CBS' Young Sheldon, in the spring of 2018, she expressed enthusiasm for appearing again as Mary Jo Shively in any new Designing Women; but unfortunately, this past winter of 2019, ABC declined to shoot a pilot for the series.

It's not a complete coincidence that after Hulu began streaming The Golden Girls that Disney/ABC, the show's rights owner, finally began creating merchandise such as tee shirts, action figures, themed Monopoly and Clue games, and so much more.  (Immodestly, I must say that part of the credit should also go to my book Golden Girls Forever, which alerted Disney about all the merch money they had long been leaving on the table.)

So perhaps, with the new heat coming from Hulu, Designing Women might ride again?

Designing Women Reboot? If so, Annie Potts Wants In

PaleyFest's Young Sheldon panelists:
(back, l-r) creators Chuck Lorre and
Steve Molaro, moderator Jessica Radloff,
stars Montana Jordan, Annie Potts,
Zoe Perry, Lance Barber and
Jim Parsons, and (front)
Iain Armitage and Raegan Revord
March 21, 2018, The Dolby Theater, Hollywood
Photo by Michael Bulbenko for the Paley Center

Last night at Hollywood's Dolby Theater, the 35th Annual PaleyFest presented two related panels, featuring the creators and stars of both the 11th season sitcom megahit The Big Bang Theory, and its freshman prequel Young Sheldon, which in its debut season ranks as the top new show on TV.

As Young Sheldon stars Iain Armitage, Raegan Revord, Montana Jordan, Zoe Perry, Lance Barber and Jim Parsons also walked the blue carpet prior to the panel (expertly hosted by Glamour's Jessica Radloff), I was most excited to talk with Annie Potts, who of course had already portrayed one of the protypical Southern women on TV on the '80s-'90s CBS sitcom Designing Women, and now was playing a slightly older model as Memaw on Young Sheldon.

Ironically, Young Sheldon is set in the late '80s, when Designing Women was one of the sitcoms ruling CBS' airwaves.  During the panel, the cast was even asked if Raegan's character Missy, always parked in front of the TV, might end up watching Designing Women, but the show's creators, Steve Molaro and Chuck Lorre, and particularly Annie, think that might be too bizarre.

But clearly, with the return of Will & Grace and the impending returns of Roseanne and CBS' own Murphy Brown, the idea of somehow rebooting Designing Women is in the air.  In fact, when I asked Annie if she had any interest in a Designing Women reboot, she noted that someone earlier on the carpet had already asked the same thing. 

So, would Annie like to juggle her current role as Memaw with a reprise of her beloved Mary Jo Shively?  "Yes, I would," the actress immediately answered.  "I'd love to!  I don't know when I'd do it, but if Linda Bloodworth[-Thomason] wanted to write six episodes or something, that could be done during a hiatus period, yeah, I'd do that!  Because I think it's important. Those were strong characters, and we got to say stuff that women haven't been able to say since. I mean, we took on Donald Trump long ago!  We were speaking truth to power."

Young Sheldon to get at least one year older

It's no surprise that CBS would renew Young Sheldon, its top new comedy, and -- at last -- a show which excels in holding on to its huge lead-in audience delivered by its thematic cousin, The Big Bang Theory.

Still, it's great to get the good news this early -- often, CBS makes even obvious hit shows wait until closer to its May upfront presentation to hear the official good news -- that my favorite new broadcast show of the 2017-18 will continue into 2019 and beyond.

Below, CBS' official announcement.

Jan. 6, 2018

CBS PICKS UP THE #1 NEW COMEDY “YOUNG SHELDON”

FOR 2018-2019 BROADCAST SEASON

Most-Watched New Comedy on Any Network in 18 Years

CBS announced today that the hit freshman comedy YOUNG SHELDON is the Network’s first renewal for the 2018-2019 broadcast season.

“YOUNG SHELDON has made a huge impact on our schedule in the short time it’s been on the air,” said Kelly Kahl, President, CBS Entertainment. “While the show’s DNA is clearly rooted in THE BIG BANG THEORY, YOUNG SHELDON has staked out its own place in the TV universe with a unique creative tone, brilliant writing and a gifted multi-generational cast. We can’t wait to see Chuck, Steve, Jim and Todd’s vision for how the Cooper family deals with Sheldon growing a year older…and smarter.”

YOUNG SHELDON is the #1 new comedy in viewers (16.17m), adults 18-49 (3.3) and adults 25-54 (4.9), and is the #2 comedy in all of television (behind only THE BIG BANG THEORY). It has the best retention for any show ever out of THE BIG BANG THEORY and has the best delivery of any new comedy on any network since the 1999-2000 television season.

The half-hour, single-camera comedy series, which stars Iain Armitage, Zoe Perry, Lance Barber, Annie Potts, Raegan Revord, Montana Jordan and the voice of Jim Parsons, follows THE BIG BANG THEORY’S Sheldon Cooper (Armitage) at the age of 9, living with his family in east Texas and going to high school.

Chuck Lorre, Steven Molaro, Jim Parsons and Todd Spiewak serve as executive producers. YOUNG SHELDON is produced by Chuck Lorre Productions in association with Warner Bros. Television.

* * *

Annie Potts Talks Turkey about GCB and Chick-Fil-A

Annie Potts as Gigi Stopper in the woefully short-lived GCB.

By the time in 1986 when Annie Potts showed up on the small screen in the role for which she will always be best remembered, Designing Women's Mary Jo Shively, I'd already loved her for years.  Anyone who came of age in the '80s may remember Potts' brilliant best-friend role in 1986' Pretty in Pink, or her wacky Ghostbusters receptionist Janine in both the original 1984 film and its 1989 sequel.

After Designing Women ended in '93, Potts went on to many more TV roles; the Kentucky native was awfully convincing to me as the Italian-American chef Dana Palladino, when she replaced Susan Dey as the female lead in the final two seasons of CBS' underrated sitcom Love & War.  Later, Potts headlined Lifetime's 1998-2002 series Any Day Now, and has also had regular or recurring roles on Huff, Joan of Arcadia, Men in Trees and Law & Order: Special Victims Unit.

But of all Potts' roles, it was GCB about which I was most excited in recent years, bringing her back to the Southern milieu in which we all know she particularly shines.  I was shocked in May when ABC announced the show's cancellation -- surely the network could have given this fun romp of a show more of a chance to grow.

With the at that point soon-to-be GCB star Annie Potts
at the TCA convention in Pasadena, CA
January 2012

This past January, as GCB was about to make its debut, I had met Potts at the Television Critics of America conference in Pasadena, and took the photo, at right; both of us were full of hope that GCB would be ABC's next big soapy hit.  Cut to last week, at the TCA Summer conference in Beverly Hills, when I again spoke with Potts at a luncheon given by the Hallmark Channel, where the actress will be appearing in the TV movie The Music Teacher later this year.  It's always a pleasure talking with her, because of the way she answers questions; she speaks slowly, every word clearly being carefully chosen.  And so when Annie Potts speculates about the reasons behind GCB's premature demise, and about being a Southerner in the age of Chick-Fil-A, I'm that much more excited to listen.  Our interview, below:

Must Hear TV:  There’s a campaign out there to save GCB, if you’ve seen it on Facebook and Twitter.  Do you think it’ll have any effect?

I know.  But I believe if it was going to have any effect, then it would have had an effect already, regrettably.  Really regrettably.  Ah, GCB, RIP!  Bummer.

MHTV:  What do you think happened?

I think a lot of different things.  I think our ratings could have been a little better.  But you know they hardly give anything a chance.  I think if they’d given us a little time, we could have done better.  I think in the end, there were some advertising problems, because big advertisers had had some complaints.  If they get 10 emails going, “We don’t think you should be advertising during that…”  People got all flustered about what they thought we were, without seeing what we were doing.

MHTV:  Where were these people when the novel Good Christian Bitches [on which the show was based] came out?  It had the word “Bitches” in the title, and GCB didn’t even have that.

Yes, but I think it was implied.   There are some who were associated with it who felt like if we’d just named it something else, like “Homemade Sin” or something, that people wouldn’t have gotten their feathers ruffled from the get-go.  And that maybe we could have [lasted.]

MHTV:  It’s a shame people could be so closed-minded.  Not even seeing a show, yet three initials gets them riled up.

We could have named it “WTF,” and really pissed people off!

MHTV:  I wonder if that would have pissed Christians off as much as the idea that they think they’re being made fun of, with “GCB.”

I don’t know.  My Christian friends welcomed it, because I think everybody likes to smoke out hypocrisy when they can.  It’s like, “Hello, do you see how you’re saying one thing and doing another?”  So I felt that there was a lot of support in the Christian community.  But it only takes a few.

If you haven't heard, Chick-fil-A has
long supported hate groups like
the National Organization for Marriage
which advocate against gay rights.
Please don't patronize Chick-fil-A!

MHTV:  Speaking of Christians and the South, we happen to be in this moment right now where there’s a culture war going on, and Chick-fil-A has gotten itself embroiled.  You’re a Southerner, and you have obviously worked with gay people in Hollywood.  Do you have an opinion about this controversy?

Yes, I know about it.  I think maybe the problem is people having opinions on it.  I think if whoever is the head of Chick-fil-A had not espoused a bigoted opinion – it’s like, what does anybody care who people love?  They should be more interested in that they love.  Isn’t that what everybody’s supposed to be doing, and not be judgmental about who?  But, see, I’m judging him saying that.

MHTV:   I’m judging him too.  Because even if he’s entitled to his opinion, he’s supporting suppression of my rights with money we might be spending on his chicken sandwiches.

Yes, well I won’t eat there.  That’s all.  I grew up in a little town, and if somebody did something you didn’t like, my daddy would just say “We don’t trade there anymore.”  And I’d say, “We’ve been going to that gas station for 15 years!”  And he’d say, “We don’t trade there anymore.”  So I would say to Chick-fil-A, if people want to change things, then you just say, “We don’t trade there anymore.”

Of course, with the power of the media now, that’s essentially the same thing kind of closed GCB down.  People saying, “We’re not going to trade there.  We’re not going to tune into that show.”  Well fine, you don’t tune into the show.  And just keep it to yourself.

MHTV:  I thought it was a loving portrayal of Texans.  Yes, it pointed out hypocrisy, but I think everybody knows that that’s an element of Texas and of Big Religion.   I didn’t think it made particular fun of them.

I don’t think so either.   I know that it was not the intent of our creator, and our writers, who were almost all Christian.  Church every Sunday Christians.

MHTV:  This means we have another opportunity to bring you back to network television.  Do you have anything in your sights?

I’m trying to develop something right now.  But that is a long row to hoe always.  I love doing series television.  I’m a real workhorse in that way.  I love the work.  The work is hard, and the hours are long, but it’s what I’ve done for most of my adult life, and that’s what I like to do.

MHTV:  TV more than film at this point?  There are so many films fans love you in, too.

I think there are more opportunities for me in television.  Most movies are made for 14-year-old boys.

MHTV:  You’d have to be the long-suffering mom in film at this point.

I am a long-suffering mother.  So I would be happy to play that role.  But I think the roles are just better, with a little more complexity, in TV.

MHTV:  What kind of character would you like to play next?  A Southern woman again, or do you want to mix it up?

I always like to mix it up.  Although I think on television, there is some evidence that the kind of closer you are to the character you’re playing, the more successful you are.  And playing Southerners is something I really like to do.  I know them well, and I like to do that because I feel like sometimes Southerners aren’t portrayed as if they are complex characters.  And I always beg to differ on that.  And also, when you are playing a Southerner, you can say the most awful things and get away with it!

MHTV:  As long as it’s followed with “Bless your heart,” right?

That’s right.  So there are benefits to that, especially on TV.

You'd Be at the Free Clinic all the Time

In honor of World AIDS Day, below is one of my favorite clips in all of television.

Back in the fall of 1987, when so many people -- even in Hollywood -- remained ignorant about the disease, Designing Women became the first sitcom I can think of (yes, even

before The Golden Girls) to tackle the issue. And as Linda Bloodworth-Thomason always does in her writing, the show did so with grace and class. (Bloodworth-Thomason wrote from experience; her own mother Claudia had at that point contracted HIV from a blood transfusion and had died, inspiring the writer to create episode "Killing All the Right People," the fourth in the show's 2nd season.)

Tony Goldwyn guest starred as Kendall, a rival decorator who hires Sugarbaker's Design Firm to redo a room at the local funeral parlor in a New Orleans theme, to be used for his own unfortunately impending service, and as a gift to future AIDS victims who die without the resources for proper burial. The storyline dovetails nicely with the B story, in which Annie Potts' Mary Jo Shively is tasked with debating a local tight-ass in front of the PTA, and advocating for the dispensing of condoms to teens to save lives.

As Julia Sugarbaker, Dixie Carter practically patented the angry rant, and seeing her get "fired up" was the highlight of any Designing Women episode. Here, watch her rip evil Imogene a new one -- and deservedly so.

And if you have the Designing Women season 2 box set, I urge you to check out the full episode of "Killing All the Right People." I defy you to make it through, to the "Closer Walk With Thee" sequence at the very end, with a dry eye. Like all of Linda Bloodworth-Thomason's writing at its best, the episode entertains, informs, and once you've seen it, it will remain forever in your heart.

Designing Women on my mind

Finally, as of today, May 26, 2009, Designing Women has been released on DVD.   Long delayed, the first season of this beloved Southern series, which ran on CBS from 1986-93, introduces us to the outspoken steel magnolia Julia Sugarbaker (Dixie Carter), her vapid beauty queen sister Suzanne (Delta Burke), single mom Mary Jo Shively (Annie Potts) and the design firm's rambling and naive receptionist/accountant, Charlene Frasier (Jean Smart.) And then, a few episodes in, we meet ex-convict Anthony Bouvier (Meshach Taylor) and the slightly senile matron Bernice Clifton (the late Alice Ghostley), both of whom proving so popular as foils to the four sassy ladies that they ended up staying for the 7-year run of the series.

I have collected many series on DVD, and I usually watch the first few episodes of each before ultimately getting distracted. But Linda Bloodworth-Thomason's witty wordplay in Designing Women, a show I remember vividly from my high school days, is so addictive, Frank and I quickly saw this DVD box set through to the end.

What's amazing about this series is that quite a few of the classic moments you might remember from the show are right there in the first season. For example, the now-closed bar Revolver on West Hollywood's gay Santa Monica Blvd. strip used to show one classic speech of Julia's, where she defends her younger sister Suzanne's reputation as a beauty queen, so often that its patrons often would shout along. And from speaking to Delta Burke a few years back, I learned that this is the case in a few of the Atlanta bars as well; the ladies know it, and often joke about making a surreptitious outing down South to check it out for themselves.

In August, Shout Factory will release Designing Women's 2nd season -- it's great that unlike with some shows, like The Mary Tyler Moore Show for example, we won't have to wait forever to get more of the episodes we love.