Showing posts with label SVU. Show all posts
Showing posts with label SVU. Show all posts

Tuesday, October 28, 2014

NBC Wants More "Laura"

This morning, NBC announced the first full-season pickup from among its new fall series.  Debra Messing's The Mysteries of Laura has been scoring in the ratings since its debut on September 17, and has helped the network build a female-centric night of crimefighting and action, leading into Mariska Hargitay's veteran Law & Order: SVU and Sophia Bush in Chicago Fire.  See announcement from NBC below.


NBC ORDERS FULL SEASON OF ‘THE MYSTERIES OF LAURA’

Debra Messing Starrer Improves 8 P.M. Wednesday Timeslot by 58% Vs. Last Season

UNIVERSAL CITY, Calif. — Oct. 28, 2014 — NBC has given a full-season 22-episode order to its 8 p.m. Wednesday drama “The Mysteries of Laura.”

Emmy Award winner Debra Messing stars as NYPD homicide Det. Laura Diamond, who manages to balance her time between being a police officer and that of a harried mom with two unruly young boys.

“Debra has effortlessly infused Laura with a relatability that is captivating audiences,” said Jennifer Salke, President, NBC Entertainment. “We can’t wait to see how Laura will continue to evolve throughout the entire season.”

Through its first six telecasts, “The Mysteries of Laura” has averaged a 1.8 rating, 6 share in adults 18-49 and 10.4 million viewers overall in “most current” figures from Nielsen Media Research. In “live plus same day” results, “The Mysteries of Laura” has improved the Wednesday 8-9 p.m. ET/PT hour by +58% or 3.3 million persons versus NBC’s results in the hour one year earlier.

“The Mysteries of Laura” is the only new drama on the Big 4 networks so far this season to remain with 0.2 of a rating point in 18-49 of its regular-slot debut through its next four telecasts in L+SD results.

The series also stars Josh Lucas, Laz Alonso, Janina Gavankar and Max Jenkins.

Writer Jeff Rake (“Boston Legal”) and director McG (“Supernatural”) serve as executive producers with Greg Berlanti (“Brothers & Sisters”), Aaron Kaplan (“The Neighbors”), Todd Lituchy and Sarah Schechter. “The Mysteries of Laura” is a production of Warner Bros. Television, Berlanti Productions and Kapital Entertainment.

Friday, August 10, 2012

Annie Potts Talks Turkey about GCB and Chick-Fil-A

Annie Potts as Gigi Stopper in the woefully short-lived GCB.
By the time in 1986 when Annie Potts showed up on the small screen in the role for which she will always be best remembered, Designing Women's Mary Jo Shively, I'd already loved her for years.  Anyone who came of age in the '80s may remember Potts' brilliant best-friend role in 1986' Pretty in Pink, or her wacky Ghostbusters receptionist Janine in both the original 1984 film and its 1989 sequel.

After Designing Women ended in '93, Potts went on to many more TV roles; the Kentucky native was awfully convincing to me as the Italian-American chef Dana Palladino, when she replaced Susan Dey as the female lead in the final two seasons of CBS' underrated sitcom Love & War.  Later, Potts headlined Lifetime's 1998-2002 series Any Day Now, and has also had regular or recurring roles on Huff, Joan of Arcadia, Men in Trees and Law & Order: Special Victims Unit.

But of all Potts' roles, it was GCB about which I was most excited in recent years, bringing her back to the Southern milieu in which we all know she particularly shines.  I was shocked in May when ABC announced the show's cancellation -- surely the network could have given this fun romp of a show more of a chance to grow.

With the at that point soon-to-be GCB star Annie Potts
at the TCA convention in Pasadena, CA
January 2012
This past January, as GCB was about to make its debut, I had met Potts at the Television Critics of America conference in Pasadena, and took the photo, at right; both of us were full of hope that GCB would be ABC's next big soapy hit.  Cut to last week, at the TCA Summer conference in Beverly Hills, when I again spoke with Potts at a luncheon given by the Hallmark Channel, where the actress will be appearing in the TV movie The Music Teacher later this year.  It's always a pleasure talking with her, because of the way she answers questions; she speaks slowly, every word clearly being carefully chosen.  And so when Annie Potts speculates about the reasons behind GCB's premature demise, and about being a Southerner in the age of Chick-Fil-A, I'm that much more excited to listen.  Our interview, below:



Must Hear TV:  There’s a campaign out there to save GCB, if you’ve seen it on Facebook and Twitter.  Do you think it’ll have any effect?

I know.  But I believe if it was going to have any effect, then it would have had an effect already, regrettably.  Really regrettably.  Ah, GCB, RIP!  Bummer.


MHTV:  What do you think happened?

I think a lot of different things.  I think our ratings could have been a little better.  But you know they hardly give anything a chance.  I think if they’d given us a little time, we could have done better.  I think in the end, there were some advertising problems, because big advertisers had had some complaints.  If they get 10 emails going, “We don’t think you should be advertising during that…”  People got all flustered about what they thought we were, without seeing what we were doing.


MHTV:  Where were these people when the novel Good Christian Bitches [on which the show was based] came out?  It had the word “Bitches” in the title, and GCB didn’t even have that.

Yes, but I think it was implied.   There are some who were associated with it who felt like if we’d just named it something else, like “Homemade Sin” or something, that people wouldn’t have gotten their feathers ruffled from the get-go.  And that maybe we could have [lasted.]


MHTV:  It’s a shame people could be so closed-minded.  Not even seeing a show, yet three initials gets them riled up.

We could have named it “WTF,” and really pissed people off!


MHTV:  I wonder if that would have pissed Christians off as much as the idea that they think they’re being made fun of, with “GCB.”

I don’t know.  My Christian friends welcomed it, because I think everybody likes to smoke out hypocrisy when they can.  It’s like, “Hello, do you see how you’re saying one thing and doing another?”  So I felt that there was a lot of support in the Christian community.  But it only takes a few.


If you haven't heard, Chick-fil-A has
long supported hate groups like
the National Organization for Marriage
which advocate against gay rights.
Please don't patronize Chick-fil-A!
MHTV:  Speaking of Christians and the South, we happen to be in this moment right now where there’s a culture war going on, and Chick-fil-A has gotten itself embroiled.  You’re a Southerner, and you have obviously worked with gay people in Hollywood.  Do you have an opinion about this controversy?

Yes, I know about it.  I think maybe the problem is people having opinions on it.  I think if whoever is the head of Chick-fil-A had not espoused a bigoted opinion – it’s like, what does anybody care who people love?  They should be more interested in that they love.  Isn’t that what everybody’s supposed to be doing, and not be judgmental about who?  But, see, I’m judging him saying that.


MHTV:   I’m judging him too.  Because even if he’s entitled to his opinion, he’s supporting suppression of my rights with money we might be spending on his chicken sandwiches.

Yes, well I won’t eat there.  That’s all.  I grew up in a little town, and if somebody did something you didn’t like, my daddy would just say “We don’t trade there anymore.”  And I’d say, “We’ve been going to that gas station for 15 years!”  And he’d say, “We don’t trade there anymore.”  So I would say to Chick-fil-A, if people want to change things, then you just say, “We don’t trade there anymore.”

Of course, with the power of the media now, that’s essentially the same thing kind of closed GCB down.  People saying, “We’re not going to trade there.  We’re not going to tune into that show.”  Well fine, you don’t tune into the show.  And just keep it to yourself.


MHTV:  I thought it was a loving portrayal of Texans.  Yes, it pointed out hypocrisy, but I think everybody knows that that’s an element of Texas and of Big Religion.   I didn’t think it made particular fun of them.

I don’t think so either.   I know that it was not the intent of our creator, and our writers, who were almost all Christian.  Church every Sunday Christians.


MHTV:  This means we have another opportunity to bring you back to network television.  Do you have anything in your sights?

I’m trying to develop something right now.  But that is a long row to hoe always.  I love doing series television.  I’m a real workhorse in that way.  I love the work.  The work is hard, and the hours are long, but it’s what I’ve done for most of my adult life, and that’s what I like to do.


MHTV:  TV more than film at this point?  There are so many films fans love you in, too.

I think there are more opportunities for me in television.  Most movies are made for 14-year-old boys.


MHTV:  You’d have to be the long-suffering mom in film at this point.

I am a long-suffering mother.  So I would be happy to play that role.  But I think the roles are just better, with a little more complexity, in TV.


MHTV:  What kind of character would you like to play next?  A Southern woman again, or do you want to mix it up?

I always like to mix it up.  Although I think on television, there is some evidence that the kind of closer you are to the character you’re playing, the more successful you are.  And playing Southerners is something I really like to do.  I know them well, and I like to do that because I feel like sometimes Southerners aren’t portrayed as if they are complex characters.  And I always beg to differ on that.  And also, when you are playing a Southerner, you can say the most awful things and get away with it!


MHTV:  As long as it’s followed with “Bless your heart,” right?

That’s right.  So there are benefits to that, especially on TV.

Wednesday, September 30, 2009

Two New Must-Reads

On today's Frank DeCaro Show on OutQ (Sirius 109, XM 98), author Randee Dawn discussed her new book, Law & Order: Special Victims Unit: The Unofficial Companion. And I can tell you, for any fan of show -- and of the yummilicious pairing of Mariska Hargitay and Christopher Meloni -- the book is a must-read.

Dawn and her co-author Susan Green spent a week on the show's NYC set, and saw firsthand how an episode goes from script to screen. The book contains synopses of all 224 episodes in the show's first 10 seasons, covering right up through this past June. (As someone who has written 2 books about sitcoms, one six seasons' worth and one seven, I can tell you that covering 10 years of an hourlong show is a lot of work!) There are also bios, ratings and awards info, web links, and anything else you'd want to know about this most personal show in producer Dick Wolf's vast empire. (And the book, by the way, has Wolf's seal of approval -- he even wrote the foreword.)

And a few weeks back, Brady Bunch star Susan Olsen appeared on the show, promoting a new book she has co-authored with Ted Nichelson and the amazing "Bradyologist" Lisa Sutton, about a chapter of Brady life not everyone out there might know about: the ill-conceived but campy and hilarious-for-all-the-wrong-reasons follow-up series, The Brady Bunch Variety Hour.

The book, Love to Love You Bradys: The Bizarre Story of the Brady Bunch Variety Hour, is chock full of fun, behind-the-scenes photos and factoids about a show which you just will have to see to believe. Closeted Robert Reed, now playing not just America's favorite dad, but a singing and dancing architect to boot? All the Brady members (except with Geri Reischl as a new Jan) -- often including Alice -- tap-dancing around an indoor pool in spangled '70s getups? Who doesn't want to see that?!

(2 of the 8 produced episodes of this unsurprisingly unsuccessful 1976-77 series are available on DVD.)

And this just in from Lisa Sutton: this coming Sunday, October 4, meet the authors (and perhaps some special guest Bradys!) at the West Hollywood Book Fair. A panel discussion and book signing starts at 11:15 in the People, Places & Politics Pavilion.